At the very least, the man with the digital photography degree knows what makes a really good picture—how to fiddle with composition and lighting and stuff to make the sort of picture that makes the viewer go ‘wow’. Given a little bit of time to learn how to use Photoshop, or the GIMP, or other similar tools, and the man with the degree will be able to do at least the same as he could do before, but substantially faster.
While anyone with a knock-off copy of Photoshop might be able to do the same technical tricks, he probably won’t know which technical tricks to use to best improve a given photograph; and he might very well end up making it look a good deal worse.
“My digital photography degree from an era of obsolescent technology isn’t rendered completely useless through the passage of time” is a far cry from “I can divert the course of rivers”.
That is true. This implies that new tools can be divided into two categories; those that use the same skills as the old tools but have a multiplicative effect on the results for all users (spoons->spades), and those that bring even an untrained user up to a certain basic level of competancy but make little or no difference to an expert user.
...having said that, I now realise that there is a third category of tool as well; that which can be used to great effect by an expert but is next to useless to a completely untrained user. An example of this sort of tool would be a bicycle; someone who knows how to ride a bicycle can use it to travel at great speed, while someone who does not know how to use it is likely to simply fall off.
At the very least, the man with the digital photography degree knows what makes a really good picture—how to fiddle with composition and lighting and stuff to make the sort of picture that makes the viewer go ‘wow’. Given a little bit of time to learn how to use Photoshop, or the GIMP, or other similar tools, and the man with the degree will be able to do at least the same as he could do before, but substantially faster.
While anyone with a knock-off copy of Photoshop might be able to do the same technical tricks, he probably won’t know which technical tricks to use to best improve a given photograph; and he might very well end up making it look a good deal worse.
“My digital photography degree from an era of obsolescent technology isn’t rendered completely useless through the passage of time” is a far cry from “I can divert the course of rivers”.
That is true. This implies that new tools can be divided into two categories; those that use the same skills as the old tools but have a multiplicative effect on the results for all users (spoons->spades), and those that bring even an untrained user up to a certain basic level of competancy but make little or no difference to an expert user.
...having said that, I now realise that there is a third category of tool as well; that which can be used to great effect by an expert but is next to useless to a completely untrained user. An example of this sort of tool would be a bicycle; someone who knows how to ride a bicycle can use it to travel at great speed, while someone who does not know how to use it is likely to simply fall off.