There seems to be an inverse correlation between how much Eliezer likes his chapters and how much I like them. (My favorite chapter is 47)I thought 75 was great. No, it wasn’t as funny. It was chapter 74′s job to be funny, and chapter 75′s job to touch on some serious issues, and that doesn’t make it worse.
I really liked Hermione and Harry sitting and talking through their issues in an adult manner. Literature could use more of than and less indignant yelling like the fourth-year-girls recommend.
(In general I also like chapters with lots of dialog. I feel like we get the most character-development-per-pound that way.)
I just like how often not communicating is used in fiction as a false way of creating conflict, but Eliezer shows that you can still have a story (with conflict!) when people try and understand each other.
This is something I hadn’t realized explicitly until you pointed it out. But yes, lazy authors don’t bother to give their characters conflicting goals or personalities or deep beliefs, so they give them conflicting surface beliefs and then come up with bad excuses for them not to communicate.
I really liked Hermione and Harry sitting and talking through their issues in an adult manner. Literature could use more of than and less indignant yelling like the fourth-year-girls recommend.
Defnitely. What is the point of getting into yelling matches when the physiological arousal that comes with it cannot even be then channeled into makeup sex?
There seems to be an inverse correlation between how much Eliezer likes his chapters and how much I like them. (My favorite chapter is 47)I thought 75 was great. No, it wasn’t as funny. It was chapter 74′s job to be funny, and chapter 75′s job to touch on some serious issues, and that doesn’t make it worse.
I really liked Hermione and Harry sitting and talking through their issues in an adult manner. Literature could use more of than and less indignant yelling like the fourth-year-girls recommend.
(In general I also like chapters with lots of dialog. I feel like we get the most character-development-per-pound that way.)
I just like how often not communicating is used in fiction as a false way of creating conflict, but Eliezer shows that you can still have a story (with conflict!) when people try and understand each other.
This is something I hadn’t realized explicitly until you pointed it out. But yes, lazy authors don’t bother to give their characters conflicting goals or personalities or deep beliefs, so they give them conflicting surface beliefs and then come up with bad excuses for them not to communicate.
But people do hold conflicting surface beliefs and refuse to communicate...
Certain kinds of stupidity may be common and yet too stupid to be a source of interesting conflict in fiction.
Real life isn’t a coherent narrative. Realistic fiction would look and sound something like this. Good authors avoid doing that, except in parody.
O RLY?
That too!
Defnitely. What is the point of getting into yelling matches when the physiological arousal that comes with it cannot even be then channeled into makeup sex?