This is so incredible. I’m a cinematographer and I’m looking forward to having access because I’m curious how it’ll perform in using it to make references for projects. I’m curious if it can take any specific film (not franchise) and take that style. An example of this would be something like “A man with a blue shirt walking through a dark hallway, in the style of Blade Runner 2049”. If this works it would also explain why it is a bit loose when you mention Pixar the production company instead of a specific film with a more consistent style. A lot like the Miyazaki case. Also I think a solution for the two characters problem could be inpainting them. Lets say you like one of the versions but the characters aren’t in the right position, is it posible to brush character 1 completley, put the description of character 2 and then do the same for the other one?
“A man with a blue shirt walking through a dark hallway, in the style of Blade Runner 2049” Well, it apparently thinks I just want the hallway lighting to be blue, which is a pretty common sort of thing for it. Otherwise seems at least kind of Blade Runner-esque?
Wow, this is really interesting. I agree with gbear605 the atmosphere is right with the backlit silhouette style of a lot of the film. The 10th one is really really good. It’s doing the usual thing of taking the properties of one element and applying it to the other things like the color of the lighting here. I’m still curious about the inpainting approach to do images piece by piece. Similar to what I mentioned for the 2 characer problem. Maybe using inpainting you could go element by element in other instances of this problem so it doesn’t get so confused. Seeing these results is very satisfying and insightful, thank you!
This is so incredible. I’m a cinematographer and I’m looking forward to having access because I’m curious how it’ll perform in using it to make references for projects. I’m curious if it can take any specific film (not franchise) and take that style. An example of this would be something like “A man with a blue shirt walking through a dark hallway, in the style of Blade Runner 2049”. If this works it would also explain why it is a bit loose when you mention Pixar the production company instead of a specific film with a more consistent style. A lot like the Miyazaki case. Also I think a solution for the two characters problem could be inpainting them. Lets say you like one of the versions but the characters aren’t in the right position, is it posible to brush character 1 completley, put the description of character 2 and then do the same for the other one?
“A man with a blue shirt walking through a dark hallway, in the style of Blade Runner 2049” Well, it apparently thinks I just want the hallway lighting to be blue, which is a pretty common sort of thing for it. Otherwise seems at least kind of Blade Runner-esque?
It seems like the atmosphere is right, and technically the shirt could be blue, we just can’t tell.
Wow, this is really interesting. I agree with gbear605 the atmosphere is right with the backlit silhouette style of a lot of the film. The 10th one is really really good. It’s doing the usual thing of taking the properties of one element and applying it to the other things like the color of the lighting here. I’m still curious about the inpainting approach to do images piece by piece. Similar to what I mentioned for the 2 characer problem. Maybe using inpainting you could go element by element in other instances of this problem so it doesn’t get so confused. Seeing these results is very satisfying and insightful, thank you!