A lot of this is going way over my head. Does anyone know how much of what’s going on is supposed to be possible to figure out
a) just from earlier chapters,
b) from other sources (original HP and HPMoR?)
c) not at all until later
d) not at all
lsusr has elsewhere stated and revealed an aesthetic/didactic/philosophical preference for ambiguity and spareness in zir prose, especially in fiction; I think the idea is that the reader should be able to infer the entire underlying story from the bits (literally) disclosed by the words, and also that the words have been stripped of non-informative stuff to the greatest extent possible without making the story unreadable.
Luna Lovegood and the Fidelius Curse is the sequel to Luna Lovegood and the Chamber of Secrets. I have combined the two sequences into a single sequence to clarify the relationship between the two stories.
A lot of this is going way over my head. Does anyone know how much of what’s going on is supposed to be possible to figure out a) just from earlier chapters, b) from other sources (original HP and HPMoR?) c) not at all until later d) not at all
lsusr has elsewhere stated and revealed an aesthetic/didactic/philosophical preference for ambiguity and spareness in zir prose, especially in fiction; I think the idea is that the reader should be able to infer the entire underlying story from the bits (literally) disclosed by the words, and also that the words have been stripped of non-informative stuff to the greatest extent possible without making the story unreadable.
Luna Lovegood and the Fidelius Curse is the sequel to Luna Lovegood and the Chamber of Secrets. I have combined the two sequences into a single sequence to clarify the relationship between the two stories.
Ah, remembering that exists and re-reading it definitely helped somewhat. I’m still rather lost but more manageably so :)
“I can’t say as ever I was lost, but I was bewildered once for three days.” —Daniel Boone
I think it’s supposed to raise that question. :)