lsusr has elsewhere stated and revealed an aesthetic/​didactic/​philosophical preference for ambiguity and spareness in zir prose, especially in fiction; I think the idea is that the reader should be able to infer the entire underlying story from the bits (literally) disclosed by the words, and also that the words have been stripped of non-informative stuff to the greatest extent possible without making the story unreadable.
lsusr has elsewhere stated and revealed an aesthetic/​didactic/​philosophical preference for ambiguity and spareness in zir prose, especially in fiction; I think the idea is that the reader should be able to infer the entire underlying story from the bits (literally) disclosed by the words, and also that the words have been stripped of non-informative stuff to the greatest extent possible without making the story unreadable.