I agree with Michael that you may be confusing poetry with modernist poetry. In particular, poetry is a more constrained, more beauty-focused form of language, whereas abstract art and jazz and atonal jazz are less constrained, less beauty-focused forms of art and music.
My analogy would be modernist poetry: poetry :: abstract art: art.
In particular, poetry is a more constrained, more beauty-focused form of language, whereas abstract art and jazz and atonal jazz are less constrained, less beauty-focused forms of art and music.
Ouch. I’m generally a fan of your posts, Yvain, but this remark makes me wince.
To quote Milton Babbitt (regarding composers who claimed not to be “using a system”), ignorance of constraint does not imply absence of constraint. The particular constraints that are operative in jazz or abstract art may not be immediately apparent to the outsider, but that doesn’t mean they’re not there.
Also, to say that certain art forms are “less beauty-focused” comes dangerously close to a rhetorical shot. There are exceptions, but as a general rule it’s safe to say that the practitioners of any art are seeking to create beautiful works. To a first approximation, art:beauty::rationality:truth.
Finally, let me caution everyone that “atonal” is a technical term that really ought not to be bandied around by people without a background in music. In particular, it does not mean “unfamiliar-sounding music I don’t like”, as it sometimes seems to in some quarters. (I’m not accusing anyone in particular of doing this, just a general warning.)
You’ve figured me out. I have no musical background whatsoever and am making judgments solely based on my superficial untrained perception. I should probably stop that.
I have heard many abstract artists condemn art that is too focused on beauty as naive and unworthy of a true artist, and support art that makes philosophical or political points instead, but I don’t know for sure that all abstract artists are like this.
I like poetry but dislike jazz and abstract art.
I agree with Michael that you may be confusing poetry with modernist poetry. In particular, poetry is a more constrained, more beauty-focused form of language, whereas abstract art and jazz and atonal jazz are less constrained, less beauty-focused forms of art and music.
My analogy would be modernist poetry: poetry :: abstract art: art.
Ouch. I’m generally a fan of your posts, Yvain, but this remark makes me wince.
To quote Milton Babbitt (regarding composers who claimed not to be “using a system”), ignorance of constraint does not imply absence of constraint. The particular constraints that are operative in jazz or abstract art may not be immediately apparent to the outsider, but that doesn’t mean they’re not there.
Also, to say that certain art forms are “less beauty-focused” comes dangerously close to a rhetorical shot. There are exceptions, but as a general rule it’s safe to say that the practitioners of any art are seeking to create beautiful works. To a first approximation, art:beauty::rationality:truth.
Finally, let me caution everyone that “atonal” is a technical term that really ought not to be bandied around by people without a background in music. In particular, it does not mean “unfamiliar-sounding music I don’t like”, as it sometimes seems to in some quarters. (I’m not accusing anyone in particular of doing this, just a general warning.)
You’ve figured me out. I have no musical background whatsoever and am making judgments solely based on my superficial untrained perception. I should probably stop that.
I have heard many abstract artists condemn art that is too focused on beauty as naive and unworthy of a true artist, and support art that makes philosophical or political points instead, but I don’t know for sure that all abstract artists are like this.