Everyone has a perspective that differs somewhat from everyone else’s. Perspectives are taken from points that exist in a continuous, multi-demensional space, with directions and optics that are also points in vast spaces. There simply isn’t a perspective that is equal to another.
But, see, it doesn’t matter how different any perspective is from another, what matters is the evidence available, and whether your understanding can be made understandable to others based on that evidence. This perspective is known as “Death of the Author”, check it out.
As for Penny, that she didn’t understand the suffering she caused is what’s the most damning to me. She didn’t even realize her victims were human. They were in the outgroup, and so they somehow didn’t count. And that is simply a particular instance of the more general problem with TBBT.
As for her making amends, she only did so reluctantly and because her friends (with whom she has more of a servant-master relationship, and who had been bullied when they were younger) urged her to.
As far as I could tell from reading her non-verbal language, she didn’t actually feel the slightest remorse, shame, or guilt. She’s stuck between the pre-conventional and conventional stages of moral development, and never made it to post-conventional.
But, see, it doesn’t matter how different any perspective is from another, what matters is the evidence available, and whether your understanding can be made understandable to others based on that evidence. This perspective is known as “Death of the Author”, check it out.
Then I have no interest in what you have to say, and stand by my summary of the general consensus as represented on Wikipedia and the Big Bang wiki: Penny is not a monster in the eyes of the audience and creators, nor is she intended to be.
“Your denial of the importance of objectivity amounts to announcing your intention to lie to us. No-one should believe anything you say.”
That isn’t exactly true. Instead people should expect what he says to be true if the incentives (including risks of punishment) are such that it is in his best interest to tell the truth. Which, as it turns out, is approximately the rule of thumb I use when listening to any human. That most often I expect the falsehoods to be the result of instinctive hypocrisy than self aware intent to deceive is not significant.
I find that sort of mentality to be amazingly depressing. If the world were like that, why get out of the bed in the morning?
Because I can’t cook bacon from in bed. Bacon is delicious!
There is no rule “If I understand something about the world that differs from a simple ideology then I must make myself sad”. So I don’t do that.
What is true is already so. Owning up to it doesn’t make it worse. Not being open about it doesn’t make it go away. And because it’s true, it is what is there to be interacted with. Anything untrue isn’t there to be lived. People can stand what is true,
for they are already enduring it.
As a matter of fact, that’s wrong when it comes to knowledge about humans; your expectations about a human (or rather, the signalling thereof) will change how said human behaves. Your beliefs (or rather, others’ perception thereof) change reality. If you expect someone to be good, they may well feel compelled to meet that expectation. If you expect people to respect you and find you atractive, all alse being equal, they will be more likely to find you respectable and attractive.
And if you expect people to be selfish assholes whose kindness is nothing more than a complex deception of themselves and each other, and they pick up on that, you’re more likely to get a treatment that fits that description.
It seems you have “detected” relativism and reacted strongly. However, I do not think Rational_Brony is pushing relativism. Instead, I think he is trying to rule as inadmissible the out-of-show statements by the creators of the show. That is not compatible with thoroughgoing relativism.
Either way, I think it’s stupid and leads to low-quality discussions, ideas, and conclusions. If it’s relativism, the discussions are meaningless, and if it’s refusal to draw on out-of-universe material, it’s shooting oneself in the kneecaps with a shotgun.
Aren’t you a fan of hyperboles? I don’t think he takes creator feedback as automatically inadmissible, so much that he treats it as unreliable; they may lie, they may be instinctively hypocritical, they may not have thought about the harm they did (like Penny), or they may be mistaken on their own work because it was informed by subconscious or interiorized compulsions that they don’t know of.
Privilege and sexism are a common source of that sort of dissonance; a work by a sexist will apply unfair double standards to women without the author, who is suffering from privilege blindness, noticing the insanity of what they are saying.
I don’t think he takes creator feedback as automatically inadmissible, so much that he treats it as unreliable
I don’t see anything in RationalBrony’s comments which adopts anything like your suggestion of taking out-of-universe material as an unreliable source and cross-checking it against other materials, previous statements etc. - as makes sense, since this is perfectly ordinary pre-Death-of-the-Author literary criticism & scholarship! (This is, in fact, the exact method I aspire to in my own Evangelion research & criticism.) Let me quote from the Wikipedia article on “Death of the Author”:
Barthes’s essay argues against traditional literary criticism’s practice of incorporating the intentions and biographical context of an author in an interpretation of a text, and instead argues that writing and creator are unrelated.
I don’t know how much plainer a denial of your suggestion one could get! Hyperbole nothing.
So RationalBrony is either so incompetent that he thinks the exact opposite of the actual view he is claiming to espouse, or you’re simply being way too charitable and forcing a sensible view onto someone who is not.
I suspect a case of semantic drift and cultural myopia to what happens outside his cultural environment (he did link to the TV Tropes article on DotA rather than the Wikipedian one). After all, we do call ourselves rationalists, yet, unless we link someone to lesswrong or engage in a lengthy explanation, people would call us out on “thinking the (near) exact opposite of the view we are claiming to espouse”.
On TV Tropes, when someone says “death of the author”, they mean “the author’s opinion and his precendents are an optional source of information, but can be disregarded”. When they say “deconstruction”, they mean “the work experiments with tropes by exploring (often unpleasant) implications that their predecessors seem to have (perhaps wilfully) ignored, often in dramatic and interesting fashions”, wich is quite different from the accepted academic meaning of the expression (insofar as it can be said that there is one; “postmodernism” and postomdern-derived terms seem to suffer from the same kind of definition fuzziness, which I suppose is kind of the point of post-modernism).
Either way, I don’t think “competence” is the issue here, and I suggest you calm down and sheathe your sword.
As for being excessively charitable, that’s my MO; often times people will make mistakes, and, once found out, will kiling to those mistakes and fight to justify them (not merely explain them, like I tried to do earlier with RB’s, but defend them as not-mistakes) if they feel their ego is being attacked. This is counterproductive. I’d rather give them the benefit of the doubt, and as much room as possible to acknowledge a mistake or defuse a misunderstanding without that feeling like the loss of a battle of egoes.
That, and, besides my love of truth, there’s a selfish motive; when you attack someone mistakenly, and your accusations turn out to be wrong, you’ll look… unwholesome, perhaps ridiculous, definitely rash (and in fact, will be put in exactly the humiliation-or-suicide situation I described earlier). I like to minimize the chances of getting stuck in such an uncomfortable position.
As an allegory, think of it as that one time in Les Miserables where Jean Valjean stole the bishop’s silverware, and, when the police arrested Jean and brought him before the bishop, the latter claimed the utterly unbelievable claim that he’d given Jean the silverware as a gift. How do you think Jean reacted to that?
Another parable would be that of the prodigal son; give people a line of retreat, and a reward for taking it.
People make mistakes. We all do. I think we can afford to be generous to each other. For instance, if we were unforgiving of irrationality in the people around us, when rationality is so rare in the world, wouldn’t we be in a perpetual state of anger, outrage, and disappointment? Wouldn’t we madden into misanthropy? I for one prefer to laugh heartily; I always think to myself “I can’t believe I used to fall for that” or “I could have fallen for that, in his or her circumstances!”.
I confess to using a sockpuppet. You didn’t suggest that I give an explanation, and I don’t know if you’re curious, but since it’s the first time I do this (my inexperience must seem evident; I’m sure there’s many easily-avoidable mistakes that I didn’t notice making), I’ll give it anyway; I’m interested in feedback on whether it was a good idea.
My accounts aren’t linked to a mail address, and I’ve lost the password to both of them, so I use each one of them in the workstations they were created in. The plan was to keep it up until I lose the cookies, I suppose.
At first I thought it would be morally sketchy to support one account’s words with the other, but then I felt curious about the possibility of bypassing bias through them.
gwern seemed to have percipitously decided that RB was a relativist, and therefore a liar and an idiot, and seemed primed in that direction in a way that made it very hard for RB to disprove it.
I thought maybe Ritalin could come from the side and, not having been labeled yet by gwern, would be able to calm him down and explain to him RB’s position, thus defusing the conflict and reestablishing niceness and good cheer.
I understand that sockpuppets are bad if you’re trying to make your opponent feel outnumbered, as a swarming tactic of aggression. In a karmic system they’re also bad if you use them to tilt the votes in your favor. It’s also bad if you use the sockpuppet to build a strawman against your postition so that you can fake defeating them. I don’t think I did any of these things. Is my use of a sockpuppet (or rather, my speaking through two accounts) still bad, per se? And if it isn’t, should I stop doing it because it resembles something bad?
Also, amusing fact; because of a difference in spell-checkers, this account uses American English spelling and the other uses British English :P
gwern seemed to have percipitously decided that RB was a relativist, and therefore a liar and an idiot, and seemed primed in that direction in a way that made it very hard for RB to disprove it.
And ‘Ritalin’ didn’t do anything to help that, so maybe you should consider the hypothesis you really are being extremely relativistic in your interpretation of fiction.
It’s true, Ritalin and I are the same person. Sorry if it came off as deceptive. Still, when I say “be nice”, I don’t just mean “be nice to me”, I mean “be nice to all”.
I am not, to my knowledge, denying the importance of objectivity, and you’re providing a very good example of reaching a different conclusion from the author on what meaning can be derived from the author’s product.
The thing is, Penny’s behavior is the available evidence. The majority of the viewers may see it and evaluate it in roughly similar ways. The authors may or may not agree with them; they have their own perspective; for example, Alan Moore understood Rorschach as a psychopath, but a large part of the leadership finds him admirable. It’s not a case of one being wrong and the other being right, it’s a case of them using different criteria in distinguishing information from noise, and giving different weights and values to different evidence. What any single individual can do is explain what evidence and what methods they used to reach their conclusions, and leave it to others to see whether their selection of evidence and interpretation thereof is defensible.
Works of fiction are not natural phenomena; they are people’s behaviour. Completely different explanations and evaluations can make sense of the evidence just as well as each other, and have just as much predictive power as each other. Is Sheldon autistic? Is he irrational and conducting his science and his life following the thought patterns of a religious fundamentalist because he was raised in an environment of religious fundamentalists? Is he a selfish, petty, mean, malevolent prick full of hubris because he is insecure about his high intelligence and his worth as a human being? Is he unaware of the harmfulness of his actions, or is he willfully oblivious? Is more than one of these explanations true at the same time? Which of them are true at what time?
You can’t really tell. All you can say is; “it seems reasonable to pose this hypothesis in the light of the available evidence”. Whether this hypothesis is commonly adhered to by the fandom, or even the creators, is rather irrelevant. I say even the creators because the fun thing about moral issues is that they aren’t noticed until someone points them out; you can write a bad person, but, if you share the monster’s values, you won’t notice that, and you won’t intend to write them as a monster. It comes to the difference of values between you and me.
Once I’ve stated my case, what can be said objectively is that my interpretation of evidence and my evaluation of the caracter is or isn’t valid according to the evidence I’ve claimed to have noticed and the value system I’ve claimed to have used.
I never said Penny was an inhumane monster. I’m just saying she’s utterly mediocre morally as well as in every other sense. The sort of person that would have gone all the way in Milgram’s experiment; she’s only part of the worse two-thirds of humanity. That hardly makes her a monster. At least, not more of a monster than most people. The sort of person that does evil not because she’s got more cruel compulsions than average, or because she deliberately ignores others’ feelings, but because she doesn’t think to think about what she’s doing and what motivates it and doesn’t think to think about how others feel.
Unfortunately, save for Leonard (and to a lesser extent Wolowitz, Bernadette, and Amy), this is a problem that affects the entire cast, and probably the cast of any black comedy; it’s called Comedic Sociopathy. Check it out.
Short answer; please read this article so you can update your priors and learn more about mine (you seem to confuse my position with the more absurd forms of post-modernism, which should confuse you because why would someone with those beliefs want to have anything to do with a fiercely modernist community such as Lesswrong). It’s a well-written, fun article, and I think you’d enjoy it. Please have a look.
Yes, I should have. There seems to have been an illusion of transparency going on, and I could have averted it if I hadn’t been so myopic, as you said. Sorry.
Why doesn’t it matter? The article you linked doesn’t it seem to explain this aside from asserting that “Books are meant to be read, not written.” Barthes himself appears to have thought the point of focusing on the reader’s (or, in this case, viewer’s) reaction rather than the author’s intent was to promote ideological goals which I do not share—“to refuse God and his hypostases, reason, science, the law.” While God is not exactly popular on LessWrong and opinions on the law vary, science and reason are surely things we care about. Why endorse a theory of criticism whose purpose is to reject them?
Genetic Fallacy; it’s not because something was born for bad reasons that the thing is bad itself. That, and the statement seems more like a hyperbolic, intellectual-hipster version of “against authority”. Seeing as we know that scientists treating their trade socially and irrationally rather than epistemologically and rationally, and using “reason” the way the classic-version “rationalists” (such as Descartes) did as a way of telling the world “I’m right, you’re all wrong, shut up and listen”, his mistake can seem more understandable.
As an amateur writer, keeping this notion in mind, that, whatever I intended to do, the reader will interpret my work from the evidence it provides, and that, if they are morally advanced enough, than they may accurately judge me (or, technically, “the narration”) as well as the characters and events, in ways I couldn’t have foreseen, has taught me to be very prudent in the way I present things.
Show Don’t Tell goes along the same lines; instead of telling the reader that character X is a good person or that place Y is scary, you provide them evidence from which they are free to deduce that character X is good or place Y is scray. Even then, the way you select the evidence to present may well lead them to say “the narration is trying very hard to make character X look like a good person, but in fact they’re not that good, because the implications of their actions are X, Y, Z”.
For example, a “no Endor Holocaust” situation; if the film hadn’t shown the party at Endor, the viewer might have been in his right to understand that the planet and its inhabitants were killed in the Death Star’s explosion, and judged the protagonists for it.
Or, the way “300” selects the facts that it shows, tells a lot about the values and political leanings of the writers, even though they swear and insist that they’re just writing entertainment.
NOTICE — Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot. — BY ORDER OF THE AUTHOR, per G.G., Chief of Ordnance.
—Mark Twain, Epigraph to Adventures of Huckleberry Finn, 1885
Everyone has a perspective that differs somewhat from everyone else’s. Perspectives are taken from points that exist in a continuous, multi-demensional space, with directions and optics that are also points in vast spaces. There simply isn’t a perspective that is equal to another.
But, see, it doesn’t matter how different any perspective is from another, what matters is the evidence available, and whether your understanding can be made understandable to others based on that evidence. This perspective is known as “Death of the Author”, check it out.
As for Penny, that she didn’t understand the suffering she caused is what’s the most damning to me. She didn’t even realize her victims were human. They were in the outgroup, and so they somehow didn’t count. And that is simply a particular instance of the more general problem with TBBT.
As for her making amends, she only did so reluctantly and because her friends (with whom she has more of a servant-master relationship, and who had been bullied when they were younger) urged her to. As far as I could tell from reading her non-verbal language, she didn’t actually feel the slightest remorse, shame, or guilt. She’s stuck between the pre-conventional and conventional stages of moral development, and never made it to post-conventional.
So in other words you’re bloviating at us: you adopt a relativistic point of view that there is neither right nor wrong and all that matters is what you can persuade others of? “Your denial of the importance of objectivity amounts to announcing your intention to lie to us. No-one should believe anything you say.”
Then I have no interest in what you have to say, and stand by my summary of the general consensus as represented on Wikipedia and the Big Bang wiki: Penny is not a monster in the eyes of the audience and creators, nor is she intended to be.
That isn’t exactly true. Instead people should expect what he says to be true if the incentives (including risks of punishment) are such that it is in his best interest to tell the truth. Which, as it turns out, is approximately the rule of thumb I use when listening to any human. That most often I expect the falsehoods to be the result of instinctive hypocrisy than self aware intent to deceive is not significant.
I find that sort of mentality to be amazingly depressing. If the world were like that, why get out of the bed in the morning?
Because I can’t cook bacon from in bed. Bacon is delicious!
There is no rule “If I understand something about the world that differs from a simple ideology then I must make myself sad”. So I don’t do that.
As a matter of fact, that’s wrong when it comes to knowledge about humans; your expectations about a human (or rather, the signalling thereof) will change how said human behaves. Your beliefs (or rather, others’ perception thereof) change reality. If you expect someone to be good, they may well feel compelled to meet that expectation. If you expect people to respect you and find you atractive, all alse being equal, they will be more likely to find you respectable and attractive.
And if you expect people to be selfish assholes whose kindness is nothing more than a complex deception of themselves and each other, and they pick up on that, you’re more likely to get a treatment that fits that description.
It seems you have “detected” relativism and reacted strongly. However, I do not think Rational_Brony is pushing relativism. Instead, I think he is trying to rule as inadmissible the out-of-show statements by the creators of the show. That is not compatible with thoroughgoing relativism.
Either way, I think it’s stupid and leads to low-quality discussions, ideas, and conclusions. If it’s relativism, the discussions are meaningless, and if it’s refusal to draw on out-of-universe material, it’s shooting oneself in the kneecaps with a shotgun.
Aren’t you a fan of hyperboles? I don’t think he takes creator feedback as automatically inadmissible, so much that he treats it as unreliable; they may lie, they may be instinctively hypocritical, they may not have thought about the harm they did (like Penny), or they may be mistaken on their own work because it was informed by subconscious or interiorized compulsions that they don’t know of.
Privilege and sexism are a common source of that sort of dissonance; a work by a sexist will apply unfair double standards to women without the author, who is suffering from privilege blindness, noticing the insanity of what they are saying.
I don’t see anything in RationalBrony’s comments which adopts anything like your suggestion of taking out-of-universe material as an unreliable source and cross-checking it against other materials, previous statements etc. - as makes sense, since this is perfectly ordinary pre-Death-of-the-Author literary criticism & scholarship! (This is, in fact, the exact method I aspire to in my own Evangelion research & criticism.) Let me quote from the Wikipedia article on “Death of the Author”:
I don’t know how much plainer a denial of your suggestion one could get! Hyperbole nothing.
So RationalBrony is either so incompetent that he thinks the exact opposite of the actual view he is claiming to espouse, or you’re simply being way too charitable and forcing a sensible view onto someone who is not.
I suspect a case of semantic drift and cultural myopia to what happens outside his cultural environment (he did link to the TV Tropes article on DotA rather than the Wikipedian one). After all, we do call ourselves rationalists, yet, unless we link someone to lesswrong or engage in a lengthy explanation, people would call us out on “thinking the (near) exact opposite of the view we are claiming to espouse”.
On TV Tropes, when someone says “death of the author”, they mean “the author’s opinion and his precendents are an optional source of information, but can be disregarded”. When they say “deconstruction”, they mean “the work experiments with tropes by exploring (often unpleasant) implications that their predecessors seem to have (perhaps wilfully) ignored, often in dramatic and interesting fashions”, wich is quite different from the accepted academic meaning of the expression (insofar as it can be said that there is one; “postmodernism” and postomdern-derived terms seem to suffer from the same kind of definition fuzziness, which I suppose is kind of the point of post-modernism).
Either way, I don’t think “competence” is the issue here, and I suggest you calm down and sheathe your sword.
As for being excessively charitable, that’s my MO; often times people will make mistakes, and, once found out, will kiling to those mistakes and fight to justify them (not merely explain them, like I tried to do earlier with RB’s, but defend them as not-mistakes) if they feel their ego is being attacked. This is counterproductive. I’d rather give them the benefit of the doubt, and as much room as possible to acknowledge a mistake or defuse a misunderstanding without that feeling like the loss of a battle of egoes.
That, and, besides my love of truth, there’s a selfish motive; when you attack someone mistakenly, and your accusations turn out to be wrong, you’ll look… unwholesome, perhaps ridiculous, definitely rash (and in fact, will be put in exactly the humiliation-or-suicide situation I described earlier). I like to minimize the chances of getting stuck in such an uncomfortable position.
As an allegory, think of it as that one time in Les Miserables where Jean Valjean stole the bishop’s silverware, and, when the police arrested Jean and brought him before the bishop, the latter claimed the utterly unbelievable claim that he’d given Jean the silverware as a gift. How do you think Jean reacted to that?
Another parable would be that of the prodigal son; give people a line of retreat, and a reward for taking it.
People make mistakes. We all do. I think we can afford to be generous to each other. For instance, if we were unforgiving of irrationality in the people around us, when rationality is so rare in the world, wouldn’t we be in a perpetual state of anger, outrage, and disappointment? Wouldn’t we madden into misanthropy? I for one prefer to laugh heartily; I always think to myself “I can’t believe I used to fall for that” or “I could have fallen for that, in his or her circumstances!”.
I suggest that you confess to using a sockpuppet.
I confess to using a sockpuppet. You didn’t suggest that I give an explanation, and I don’t know if you’re curious, but since it’s the first time I do this (my inexperience must seem evident; I’m sure there’s many easily-avoidable mistakes that I didn’t notice making), I’ll give it anyway; I’m interested in feedback on whether it was a good idea.
My accounts aren’t linked to a mail address, and I’ve lost the password to both of them, so I use each one of them in the workstations they were created in. The plan was to keep it up until I lose the cookies, I suppose.
At first I thought it would be morally sketchy to support one account’s words with the other, but then I felt curious about the possibility of bypassing bias through them.
gwern seemed to have percipitously decided that RB was a relativist, and therefore a liar and an idiot, and seemed primed in that direction in a way that made it very hard for RB to disprove it.
I thought maybe Ritalin could come from the side and, not having been labeled yet by gwern, would be able to calm him down and explain to him RB’s position, thus defusing the conflict and reestablishing niceness and good cheer.
I understand that sockpuppets are bad if you’re trying to make your opponent feel outnumbered, as a swarming tactic of aggression. In a karmic system they’re also bad if you use them to tilt the votes in your favor. It’s also bad if you use the sockpuppet to build a strawman against your postition so that you can fake defeating them. I don’t think I did any of these things. Is my use of a sockpuppet (or rather, my speaking through two accounts) still bad, per se? And if it isn’t, should I stop doing it because it resembles something bad?
Also, amusing fact; because of a difference in spell-checkers, this account uses American English spelling and the other uses British English :P
And ‘Ritalin’ didn’t do anything to help that, so maybe you should consider the hypothesis you really are being extremely relativistic in your interpretation of fiction.
Define relativism and extremely relativistic.
It’s true, Ritalin and I are the same person. Sorry if it came off as deceptive. Still, when I say “be nice”, I don’t just mean “be nice to me”, I mean “be nice to all”.
I am not, to my knowledge, denying the importance of objectivity, and you’re providing a very good example of reaching a different conclusion from the author on what meaning can be derived from the author’s product.
The thing is, Penny’s behavior is the available evidence. The majority of the viewers may see it and evaluate it in roughly similar ways. The authors may or may not agree with them; they have their own perspective; for example, Alan Moore understood Rorschach as a psychopath, but a large part of the leadership finds him admirable. It’s not a case of one being wrong and the other being right, it’s a case of them using different criteria in distinguishing information from noise, and giving different weights and values to different evidence. What any single individual can do is explain what evidence and what methods they used to reach their conclusions, and leave it to others to see whether their selection of evidence and interpretation thereof is defensible.
Works of fiction are not natural phenomena; they are people’s behaviour. Completely different explanations and evaluations can make sense of the evidence just as well as each other, and have just as much predictive power as each other. Is Sheldon autistic? Is he irrational and conducting his science and his life following the thought patterns of a religious fundamentalist because he was raised in an environment of religious fundamentalists? Is he a selfish, petty, mean, malevolent prick full of hubris because he is insecure about his high intelligence and his worth as a human being? Is he unaware of the harmfulness of his actions, or is he willfully oblivious? Is more than one of these explanations true at the same time? Which of them are true at what time?
You can’t really tell. All you can say is; “it seems reasonable to pose this hypothesis in the light of the available evidence”. Whether this hypothesis is commonly adhered to by the fandom, or even the creators, is rather irrelevant. I say even the creators because the fun thing about moral issues is that they aren’t noticed until someone points them out; you can write a bad person, but, if you share the monster’s values, you won’t notice that, and you won’t intend to write them as a monster. It comes to the difference of values between you and me.
Once I’ve stated my case, what can be said objectively is that my interpretation of evidence and my evaluation of the caracter is or isn’t valid according to the evidence I’ve claimed to have noticed and the value system I’ve claimed to have used.
I never said Penny was an inhumane monster. I’m just saying she’s utterly mediocre morally as well as in every other sense. The sort of person that would have gone all the way in Milgram’s experiment; she’s only part of the worse two-thirds of humanity. That hardly makes her a monster. At least, not more of a monster than most people. The sort of person that does evil not because she’s got more cruel compulsions than average, or because she deliberately ignores others’ feelings, but because she doesn’t think to think about what she’s doing and what motivates it and doesn’t think to think about how others feel.
Unfortunately, save for Leonard (and to a lesser extent Wolowitz, Bernadette, and Amy), this is a problem that affects the entire cast, and probably the cast of any black comedy; it’s called Comedic Sociopathy. Check it out.
No, seriously, do it.
Short answer; please read this article so you can update your priors and learn more about mine (you seem to confuse my position with the more absurd forms of post-modernism, which should confuse you because why would someone with those beliefs want to have anything to do with a fiercely modernist community such as Lesswrong). It’s a well-written, fun article, and I think you’d enjoy it. Please have a look.
Couldn’t you have linked to that in the first place?
Yes, I should have. There seems to have been an illusion of transparency going on, and I could have averted it if I hadn’t been so myopic, as you said. Sorry.
Why doesn’t it matter? The article you linked doesn’t it seem to explain this aside from asserting that “Books are meant to be read, not written.” Barthes himself appears to have thought the point of focusing on the reader’s (or, in this case, viewer’s) reaction rather than the author’s intent was to promote ideological goals which I do not share—“to refuse God and his hypostases, reason, science, the law.” While God is not exactly popular on LessWrong and opinions on the law vary, science and reason are surely things we care about. Why endorse a theory of criticism whose purpose is to reject them?
Genetic Fallacy; it’s not because something was born for bad reasons that the thing is bad itself. That, and the statement seems more like a hyperbolic, intellectual-hipster version of “against authority”. Seeing as we know that scientists treating their trade socially and irrationally rather than epistemologically and rationally, and using “reason” the way the classic-version “rationalists” (such as Descartes) did as a way of telling the world “I’m right, you’re all wrong, shut up and listen”, his mistake can seem more understandable.
As an amateur writer, keeping this notion in mind, that, whatever I intended to do, the reader will interpret my work from the evidence it provides, and that, if they are morally advanced enough, than they may accurately judge me (or, technically, “the narration”) as well as the characters and events, in ways I couldn’t have foreseen, has taught me to be very prudent in the way I present things.
Show Don’t Tell goes along the same lines; instead of telling the reader that character X is a good person or that place Y is scary, you provide them evidence from which they are free to deduce that character X is good or place Y is scray. Even then, the way you select the evidence to present may well lead them to say “the narration is trying very hard to make character X look like a good person, but in fact they’re not that good, because the implications of their actions are X, Y, Z”.
For example, a “no Endor Holocaust” situation; if the film hadn’t shown the party at Endor, the viewer might have been in his right to understand that the planet and its inhabitants were killed in the Death Star’s explosion, and judged the protagonists for it.
Or, the way “300” selects the facts that it shows, tells a lot about the values and political leanings of the writers, even though they swear and insist that they’re just writing entertainment.