You’re free to read the phone book around a campfire, but no one would care. That’s a key thing. Remember, I added that the kids (if they had curious minds and didn’t know it) would probably be fascinated by it. If you ask google to “define story,” the second definition you get is...
“An account of past events in someone’s life or in the evolution of something.”
Not that I necessarily think dictionary definitions are the be-all end-all authority in the meaning of our conversational terms, but it gives at least some indication that we don’t NECESSARILY need a protagonist (though they are VERY VERY common and very useful). Instead, I think there’s a second real purpose and definition of “stories” (and as I’m sure you gathered, I think it also dictates that some segment of the population tends to care about the story or want to hear it).
Obviously this conversation would require more space and I’ve been considered writing a bunch of posts (or a sequence? Not totally familiar with the terms yet) to go into it.
You’re free to read the phone book around a campfire, but no one would care. That’s a key thing.
My argument is precisely that it’s not a key thing; you can have a story that nobody cares about or a non-story that people find deeply interesting. If you don’t like the phonebook, make it a journal article describing a measurement of nonzero CP violation in charm mixing; I know any number of people who would find that extremely fascinating, but you just cannot call it a story.
“An account of past events in someone’s life or in the evolution of something.”
Your account of why night and day exist would not meet this definition.
You definitely can have a story that is uninteresting or fails. But they take the form of things that people WOULD care about. Likewise, you can have a computer that doesn’t turn on, but it takes the form of something that WOULD if it functioned properly. Offering that value to people IS in fact the key purpose of a story, even if sometimes it fails to do so. I apologize if this isn’t clear.
A scientific journal article, which I assume is your example, exists to communicate true information (though just like the bad story, they may sometimes be falsified). So a journal article that someone finds interesting would NOT be a story. But if that article was outside of that purpose, and existed to CREATE positive emotion though (not yelling at you just trying to emphasize and don’t know the formatting yet), then it would be classifiable as a story.
That’s the point I was trying to put across with the campfire-sun-and-moon example. You’re telling it to interest the kids or entertain them (or scare them, make them laugh etc.). That’s why we “sit around the campfire.”
Lastly, the night and day example is quite clearly an account of how our cycles of night and day come to exist. It seems clear that this fits the second half of the definition.
Hi Rolf,
You’re free to read the phone book around a campfire, but no one would care. That’s a key thing. Remember, I added that the kids (if they had curious minds and didn’t know it) would probably be fascinated by it. If you ask google to “define story,” the second definition you get is...
“An account of past events in someone’s life or in the evolution of something.”
Not that I necessarily think dictionary definitions are the be-all end-all authority in the meaning of our conversational terms, but it gives at least some indication that we don’t NECESSARILY need a protagonist (though they are VERY VERY common and very useful). Instead, I think there’s a second real purpose and definition of “stories” (and as I’m sure you gathered, I think it also dictates that some segment of the population tends to care about the story or want to hear it).
Obviously this conversation would require more space and I’ve been considered writing a bunch of posts (or a sequence? Not totally familiar with the terms yet) to go into it.
(lastly, I didn’t vote your comment down)
My argument is precisely that it’s not a key thing; you can have a story that nobody cares about or a non-story that people find deeply interesting. If you don’t like the phonebook, make it a journal article describing a measurement of nonzero CP violation in charm mixing; I know any number of people who would find that extremely fascinating, but you just cannot call it a story.
Your account of why night and day exist would not meet this definition.
Hi Rolf,
You definitely can have a story that is uninteresting or fails. But they take the form of things that people WOULD care about. Likewise, you can have a computer that doesn’t turn on, but it takes the form of something that WOULD if it functioned properly. Offering that value to people IS in fact the key purpose of a story, even if sometimes it fails to do so. I apologize if this isn’t clear.
A scientific journal article, which I assume is your example, exists to communicate true information (though just like the bad story, they may sometimes be falsified). So a journal article that someone finds interesting would NOT be a story. But if that article was outside of that purpose, and existed to CREATE positive emotion though (not yelling at you just trying to emphasize and don’t know the formatting yet), then it would be classifiable as a story.
That’s the point I was trying to put across with the campfire-sun-and-moon example. You’re telling it to interest the kids or entertain them (or scare them, make them laugh etc.). That’s why we “sit around the campfire.”
Lastly, the night and day example is quite clearly an account of how our cycles of night and day come to exist. It seems clear that this fits the second half of the definition.
I hope this helps to put things across.