Competition is an important and hard-to-obfuscate part of the feedback—musical performances are judged by what position in the orchestra or what level of venue you’re drawing. But also, like fights, there’s a lot of real feedback in the self-, peer-, and coach-evaluations of practices and exercises.
Competition is an important and hard-to-obfuscate part of the feedback—musical performances are judged by what position in the orchestra or what level of venue you’re drawing. But also, like fights, there’s a lot of real feedback in the self-, peer-, and coach-evaluations of practices and exercises.
Fights provide more salient feedback (in the form of the threat of bodily pain and injury) than artistic or sports performance.