“‘...You are now nearly at childhood’s end; you are ready for the truth’s weight, to bear it. The truth is that the heroism of your childhood entertainments was not true valor. It was theater. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcomes resolve all—all designed to appear heroic, to excite and gratify an audience. An audience.’ He made a gesture I can’t describe: ‘Gentlemen, welcome to the world of reality—there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth—actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.’”
“‘Routine, repetition, tedium, monotony, ephemeracy, inconsquence, abstraction, disorder, boredom, angst, ennui—these are the true hero’s enemies, and make no mistake, they are fearsome indeed. For they are real.’”
“‘...You are now nearly at childhood’s end; you are ready for the truth’s weight, to bear it. The truth is that the heroism of your childhood entertainments was not true valor. It was theater. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcomes resolve all—all designed to appear heroic, to excite and gratify an audience. An audience.’ He made a gesture I can’t describe: ‘Gentlemen, welcome to the world of reality—there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth—actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.’”
“‘Routine, repetition, tedium, monotony, ephemeracy, inconsquence, abstraction, disorder, boredom, angst, ennui—these are the true hero’s enemies, and make no mistake, they are fearsome indeed. For they are real.’”
David Foster Wallace, The Pale King, p. 232