Certain shades of green to me feel fresh, clean, ‘naturey;’ certain shades of red to me feel violent, hot, glaring; certain shades of blue feel cool; etc.
I am aware that many humans have this sort of classification of colors, and have learned it because of its value in communication, but as far as I can tell this isn’t a significant part of my mental experience. A dark green might make it easier for me to think of leaves or forests, but I don’t have any experiences that I would describe as feeling ‘naturey’. If oceans and forests swapped colors, I imagine that seeing the same dark green would make it easier for me to think of waves and water, but I think my introspective experience would be the same.
If I can simplify your claim a bit, it sounds like if both oceans and forests were dark green, then seeing dark green would make you think of leaves and waves / feel associated feelings, and that this ensemble would be different from your current sensation of ocean blue or forest green. It seems sensible to me that the ensembles are different because they have different elements.
I’m happier with modeling that as perceptual bleedover- because forests and green are heavily linked, even forests that aren’t green are linked to green, and greens that aren’t on leaves are linked with forests- than I am modeling that as an atom of consciousness- the sensation of foresty greens- but if your purposes are different, a different model may be more suitable.
Part of the problem may be that I’m not so sure I have a distinct, empirically robust idea of an ‘atom of consciousness.’ I took for granted your distinction between ‘evoking blood’ and ‘feeling bloody,’ but in practice these two ideas blend together a great deal. Some ideas—phonological and musical ones, for example—are instantiated in memory by certain temporal sequences and patterns of association. From my armchair, I’m not sure how much my idea of green (or goodness, or clippiness) is what it is in virtue of its temporal and associative dispositions, too. And I don’t know if Eliezer is any less confused than I.
I am aware that many humans have this sort of classification of colors, and have learned it because of its value in communication, but as far as I can tell this isn’t a significant part of my mental experience. A dark green might make it easier for me to think of leaves or forests, but I don’t have any experiences that I would describe as feeling ‘naturey’. If oceans and forests swapped colors, I imagine that seeing the same dark green would make it easier for me to think of waves and water, but I think my introspective experience would be the same.
If I can simplify your claim a bit, it sounds like if both oceans and forests were dark green, then seeing dark green would make you think of leaves and waves / feel associated feelings, and that this ensemble would be different from your current sensation of ocean blue or forest green. It seems sensible to me that the ensembles are different because they have different elements.
I’m happier with modeling that as perceptual bleedover- because forests and green are heavily linked, even forests that aren’t green are linked to green, and greens that aren’t on leaves are linked with forests- than I am modeling that as an atom of consciousness- the sensation of foresty greens- but if your purposes are different, a different model may be more suitable.
Part of the problem may be that I’m not so sure I have a distinct, empirically robust idea of an ‘atom of consciousness.’ I took for granted your distinction between ‘evoking blood’ and ‘feeling bloody,’ but in practice these two ideas blend together a great deal. Some ideas—phonological and musical ones, for example—are instantiated in memory by certain temporal sequences and patterns of association. From my armchair, I’m not sure how much my idea of green (or goodness, or clippiness) is what it is in virtue of its temporal and associative dispositions, too. And I don’t know if Eliezer is any less confused than I.