I liked the fact that Anna’s relationship with Hans didn’t work out. Disney went out of its way to poke holes in the traditional ‘love at first sight’ meme, something I think is a huge improvement on how Disney portrays most relationships. Furthermore, they showed Anna and Kristoff’s relationship to grow on a solid foundation over time, and to be mutually pursued, as opposed to being a one-sided chase. Whereas Anna wanted her relationship with Hans to miraculously change her life, her relationship with Kristoff is an important part of her life without being her reason d’etre. All of this, to me, seems much better than the stereotypical fairytale romance.
Yes, Elsa doesn’t end up with a relationship. Which isn’t really a problem to me. She has personal problems she needs to work out, and she doesn’t show any interest in a relationship. So a relationship is unnecessary.
You made a rather big deal out of the trade deal being broken and the ramifications thereof. But honestly, I think it was the right decision. The mayor of Wesseltown shows a clear desire to exploit the resources of Elsa’s kingdom (in classic Disney fashion, he says so out loud). He bears them no good will. When Elsa’s power broke loose, a potentially salvageable situation was ruined by his hostile reaction. And when they attempted to capture Elsa, his orders to kill her almost got people killed and came dangerously close to permanently ruining any hope of resolving the eternal winter. He showed a clear disregard for their kingdom’s well-being, demonstrated an inability to see past his own prejudices, and tried to KILL THEIR QUEEN. Any one of these would be good reason to break off trade. In particular, the political ramifications of a show of weakness on the order of ignoring an attempted assassination are probably much worse than loss of trade.
Fairytale stories have a habit of setting up female protagonists as damsels (who am I kidding, stories in general have this habit). Time after time after time we see female characters put in situations where their only hope is for the strong male to save them. This trope could see some time without use, which is what we saw in Frozen. Disney played on our expectations of Anna being saved by her newly minted boyfriend’s love so they could violate that expectation. Instead they showed a selfless act, reconciliation, and a long-term bond as the ingredients for an act of true love. I think that’s a good thing.
Yes, in the end things were not perfect. Elsa still needs to learn how to deal with people. Anna is a bit more idealistic and naive than is healthy. Kristoff still needs to learn how to deal with people. The trade repercussions with Wesseltown are going to suck. Which I find a nice change of pace from the neat and tidy “happily ever after” endings. Life goes on, still imperfect but better than before.
(Can’t say anything about Sleeping Beauty. I haven’t really been paying attention to it.)
I saw the path Frozen’s plot took as well done.
I liked the fact that Anna’s relationship with Hans didn’t work out. Disney went out of its way to poke holes in the traditional ‘love at first sight’ meme, something I think is a huge improvement on how Disney portrays most relationships. Furthermore, they showed Anna and Kristoff’s relationship to grow on a solid foundation over time, and to be mutually pursued, as opposed to being a one-sided chase. Whereas Anna wanted her relationship with Hans to miraculously change her life, her relationship with Kristoff is an important part of her life without being her reason d’etre. All of this, to me, seems much better than the stereotypical fairytale romance.
Yes, Elsa doesn’t end up with a relationship. Which isn’t really a problem to me. She has personal problems she needs to work out, and she doesn’t show any interest in a relationship. So a relationship is unnecessary.
You made a rather big deal out of the trade deal being broken and the ramifications thereof. But honestly, I think it was the right decision. The mayor of Wesseltown shows a clear desire to exploit the resources of Elsa’s kingdom (in classic Disney fashion, he says so out loud). He bears them no good will. When Elsa’s power broke loose, a potentially salvageable situation was ruined by his hostile reaction. And when they attempted to capture Elsa, his orders to kill her almost got people killed and came dangerously close to permanently ruining any hope of resolving the eternal winter. He showed a clear disregard for their kingdom’s well-being, demonstrated an inability to see past his own prejudices, and tried to KILL THEIR QUEEN. Any one of these would be good reason to break off trade. In particular, the political ramifications of a show of weakness on the order of ignoring an attempted assassination are probably much worse than loss of trade.
Fairytale stories have a habit of setting up female protagonists as damsels (who am I kidding, stories in general have this habit). Time after time after time we see female characters put in situations where their only hope is for the strong male to save them. This trope could see some time without use, which is what we saw in Frozen. Disney played on our expectations of Anna being saved by her newly minted boyfriend’s love so they could violate that expectation. Instead they showed a selfless act, reconciliation, and a long-term bond as the ingredients for an act of true love. I think that’s a good thing.
Yes, in the end things were not perfect. Elsa still needs to learn how to deal with people. Anna is a bit more idealistic and naive than is healthy. Kristoff still needs to learn how to deal with people. The trade repercussions with Wesseltown are going to suck. Which I find a nice change of pace from the neat and tidy “happily ever after” endings. Life goes on, still imperfect but better than before.
(Can’t say anything about Sleeping Beauty. I haven’t really been paying attention to it.)
Spoilers? You may want to rot13 that.