Actually, he wouldn’t be the first author to deliberately pace his work to achieve this effect. The Death Note manga, for example, is exactly 108 chapters long.
Also, look at how short the previous chapters were. If he were stretching it out so that this one would be 108, this is what I would expect it to look like.
That’s really interesting and definitely helps your case. My main beef is that, opposite Vaniver, I think that there have been quite a few scenes that could be argued to be related to worldly sins to the same degree, and so this is not very different from what random chance would look like.
On the other hand, HPMOR is filled to the brim with pop culture references including anime and manga, from the omakes to things like the Breaking Drill Hex, the Tragedy of Light, Fuyuki City, “a young Japanese” with self-replication powers, and part of Tracey’s summoning incantation. This raises the priors for something that looks like another Japanese pop culture reference not being coincidental.
I think it is highly likely to be coincidental :P
Actually, he wouldn’t be the first author to deliberately pace his work to achieve this effect. The Death Note manga, for example, is exactly 108 chapters long.
Also, look at how short the previous chapters were. If he were stretching it out so that this one would be 108, this is what I would expect it to look like.
That’s really interesting and definitely helps your case. My main beef is that, opposite Vaniver, I think that there have been quite a few scenes that could be argued to be related to worldly sins to the same degree, and so this is not very different from what random chance would look like.
On the other hand, HPMOR is filled to the brim with pop culture references including anime and manga, from the omakes to things like the Breaking Drill Hex, the Tragedy of Light, Fuyuki City, “a young Japanese” with self-replication powers, and part of Tracey’s summoning incantation. This raises the priors for something that looks like another Japanese pop culture reference not being coincidental.