Artist-and-writer types don’t flock to Singapore, but they don’t flock to Peoria Illinois either do they?
Downvoted without hesitation.
If you have the unvoiced belief that cultural products (especially high-quality ones) and memes are created by some specific breed of “artist-and-writer types” (wearing scarves and being smug all the time, no doubt!), then I’d recommend purging it, seeing as it suggests a really narrow view of the world. A country can have a thriving culture not because artistic people “flock” there, but because they are born there, given an appropriate education and allowed to interact with their own roots and community!
By your logic, “artist-and-writer types” shouldn’t just not flock to, but actively flee the USSR/post-Soviet Russia. And indeed many artists did, but enough remained that most people on LW who are into literature or film can probably name a Russian author or Russian movie released in the last half-century. Same goes for India, Japan, even China and many other poor and/or un-Westernized places!
And indeed many artists did, but enough remained that most people on LW who are into literature or film can probably name a Russian author or Russian movie released in the last half-century. Same goes for India, Japan, even China and many other poor and/or un-Westernized places!
Notice how this more or less refutes the argument you tried to make in the grandparent.
I’m not making the argument that liberal democracy directly correlates to increasing the cultural value produced. Why else would I defend Iran in that particular regard? No, no, the object of my scorn is technocracy (at least, human technocracy) and I’m even willing to tolerate some barbarism rather than have it spread over the world.
You seem to have read some hostility towards artists and writers into my comment, probably because of “types” and “flock”? These are just writing tics, I intended nothing pejorative.
I hold no such belief, and I’m glad you don’t either. I only want to emphasize my opinion that Singapore does have a thriving culture, even if it does not have a thriving literary or film industry. But since you admit you don’t know a lot about it I’m curious why you have so much scorn for the place? A city can have something to recommend itself even if it hasn’t produced a good author or a good movie.
In short, well, yeah, I hold more “formal” and “portable” culture such as literature, music or video to have relatively more value than the other types of “culture”, such as local customs and crafting practices and such—which I assume you meant by “thriving culture” here. All are necessary for harmonious development, but I’d say that e.g. a colorful basket-weaving tradition in one neighborhood which is experienced/participated in by the locals is not quite as important and good to have as an insightful and entertaining story, or a beautiful melody—the latter can still have relevance continents or centuries apart. Some African tribe can also have a thriving culture like that, but others can’t experience it without being born there, it can be unsustainable in the face of technical progress, it can interfere with other things important for overall quality of life (trusting a shaman about medicine can be bad for your health), etc. Overall, you probably get what I’m talking about.
Sure, that’s biased and un-PC in a way, but that’s the way that I see the world.
(I don’t have any scorn for Singapore as a nation and a culture, I just don’t care much for a model of society imposed upon it by the national elites in the 20th century that, unlike broadly similar societies in e.g. Japan or even China, doesn’t seem to produce those things I value. Even if its GDP per capita is now 50% or so higher than somewhere else. Heck, even Iran—a theocracy that’s not well-off and behaves rather irrationally—has been producing acclaimed literature and films, despite censorship.)
It seems to me that if you are talking about artistic achievements that have stood the test of centuries, then you are talking almost exclusively about the west, which I agree is utterly dominant in cultural exports. What I have in mind when I say “Singapore culture is thriving” is that it’s a city filled with lovely people going about their business. You could appreciate Singapore culture because you find muslim businessmen or guest worker IT types agreeable—maybe you like their jokes. You could hate Singapore culture if you instead found muslim businessmen to be vacant and awful. But couldn’t we allow that the intelligent african that kicked the discussion off might have either taste? Then we should find out what his tastes are before recommending that he choose London over Singapore.
I read “Disneyland with the death penalty.” Gibson’s not a very good travel-writer, there’s hardly any indication in the article that he spoke to anyone while he was there.
broadly similar societies in e.g. Japan or even China, doesn’t seem to produce those things I value
You’re not being fair. Singaporeans would have surely produced something to your tastes, if there were a billion of them and their country were two thousand years old.
Downvoted without hesitation.
If you have the unvoiced belief that cultural products (especially high-quality ones) and memes are created by some specific breed of “artist-and-writer types” (wearing scarves and being smug all the time, no doubt!), then I’d recommend purging it, seeing as it suggests a really narrow view of the world. A country can have a thriving culture not because artistic people “flock” there, but because they are born there, given an appropriate education and allowed to interact with their own roots and community!
By your logic, “artist-and-writer types” shouldn’t just not flock to, but actively flee the USSR/post-Soviet Russia. And indeed many artists did, but enough remained that most people on LW who are into literature or film can probably name a Russian author or Russian movie released in the last half-century. Same goes for India, Japan, even China and many other poor and/or un-Westernized places!
Notice how this more or less refutes the argument you tried to make in the grandparent.
I’m not making the argument that liberal democracy directly correlates to increasing the cultural value produced. Why else would I defend Iran in that particular regard? No, no, the object of my scorn is technocracy (at least, human technocracy) and I’m even willing to tolerate some barbarism rather than have it spread over the world.
What definition of technocracy are you using that excludes the USSR and India before its economic liberalization?
You seem to have read some hostility towards artists and writers into my comment, probably because of “types” and “flock”? These are just writing tics, I intended nothing pejorative.
I hold no such belief, and I’m glad you don’t either. I only want to emphasize my opinion that Singapore does have a thriving culture, even if it does not have a thriving literary or film industry. But since you admit you don’t know a lot about it I’m curious why you have so much scorn for the place? A city can have something to recommend itself even if it hasn’t produced a good author or a good movie.
In short, well, yeah, I hold more “formal” and “portable” culture such as literature, music or video to have relatively more value than the other types of “culture”, such as local customs and crafting practices and such—which I assume you meant by “thriving culture” here. All are necessary for harmonious development, but I’d say that e.g. a colorful basket-weaving tradition in one neighborhood which is experienced/participated in by the locals is not quite as important and good to have as an insightful and entertaining story, or a beautiful melody—the latter can still have relevance continents or centuries apart.
Some African tribe can also have a thriving culture like that, but others can’t experience it without being born there, it can be unsustainable in the face of technical progress, it can interfere with other things important for overall quality of life (trusting a shaman about medicine can be bad for your health), etc. Overall, you probably get what I’m talking about.
Sure, that’s biased and un-PC in a way, but that’s the way that I see the world.
(I don’t have any scorn for Singapore as a nation and a culture, I just don’t care much for a model of society imposed upon it by the national elites in the 20th century that, unlike broadly similar societies in e.g. Japan or even China, doesn’t seem to produce those things I value. Even if its GDP per capita is now 50% or so higher than somewhere else. Heck, even Iran—a theocracy that’s not well-off and behaves rather irrationally—has been producing acclaimed literature and films, despite censorship.)
It seems to me that if you are talking about artistic achievements that have stood the test of centuries, then you are talking almost exclusively about the west, which I agree is utterly dominant in cultural exports. What I have in mind when I say “Singapore culture is thriving” is that it’s a city filled with lovely people going about their business. You could appreciate Singapore culture because you find muslim businessmen or guest worker IT types agreeable—maybe you like their jokes. You could hate Singapore culture if you instead found muslim businessmen to be vacant and awful. But couldn’t we allow that the intelligent african that kicked the discussion off might have either taste? Then we should find out what his tastes are before recommending that he choose London over Singapore.
I read “Disneyland with the death penalty.” Gibson’s not a very good travel-writer, there’s hardly any indication in the article that he spoke to anyone while he was there.
You’re not being fair. Singaporeans would have surely produced something to your tastes, if there were a billion of them and their country were two thousand years old.
I would like seeing comments on Gibson’s article from Singaporeans, including ex-pat Singaporeans.