I’ve also wondered about the implicit assumption lots of people have that if music were going to yield extreme degrees of pleasure for them, then it would do so without much effort on their part and in quick order. I’ve also noticed the assumption you touch on that because all non-deaf people have a pair of working ears and have known how to use them since childhood, they are all equally capable of judging different types of music and recognizing that there they’re basically all the same, like different flavors of ice cream.
I think you’re spot on about classical music and status in America, at least in my neck of the woods. I work at a well-known company in the SF bay area that has a lot of very smart and very well-educated people, and it would be embarrassing for me to admit at work that Bach is my favorite musician or that classical music is my favorite music. It would be viewed as pathetically old-fashioned and uncool.
ETA: I think the status thing with regard to classical music in the SF area is generational. I’m in my thirties. If I and my peers were a generation older, then I think classical music would be regarded more positively and be less stigmatized. When I go to a classical music event, I see mostly people who are at least a generation older than me. In my workplace, the median age is probably something like 28-34, so the classical music listeners are of my peers’ parents’ generation. To be honest, I completely agree with the accusations of signaling for the vast majority of people you see at classical music events around here. Few of the (mostly older) people I see at concerts seem like they’re there for the music—they spend their time dozing off, fidgeting with things, people gazing and being gazed at, counting the minutes till intermission and then rushing out at the end without wanting to hear the encores. People my age and younger at concerts seem much more sincere, even if there are so few of them.
I’ve also wondered about the implicit assumption lots of people have that if music were going to yield extreme degrees of pleasure for them, then it would do so without much effort on their part and in quick order. I’ve also noticed the assumption you touch on that because all non-deaf people have a pair of working ears and have known how to use them since childhood, they are all equally capable of judging different types of music and recognizing that there they’re basically all the same, like different flavors of ice cream.
I think you’re spot on about classical music and status in America, at least in my neck of the woods. I work at a well-known company in the SF bay area that has a lot of very smart and very well-educated people, and it would be embarrassing for me to admit at work that Bach is my favorite musician or that classical music is my favorite music. It would be viewed as pathetically old-fashioned and uncool.
ETA: I think the status thing with regard to classical music in the SF area is generational. I’m in my thirties. If I and my peers were a generation older, then I think classical music would be regarded more positively and be less stigmatized. When I go to a classical music event, I see mostly people who are at least a generation older than me. In my workplace, the median age is probably something like 28-34, so the classical music listeners are of my peers’ parents’ generation. To be honest, I completely agree with the accusations of signaling for the vast majority of people you see at classical music events around here. Few of the (mostly older) people I see at concerts seem like they’re there for the music—they spend their time dozing off, fidgeting with things, people gazing and being gazed at, counting the minutes till intermission and then rushing out at the end without wanting to hear the encores. People my age and younger at concerts seem much more sincere, even if there are so few of them.