Group underrepresenatation isn’t even necessary, either. A more general form of the argument carries as long as you agree that “[fiction] isn’t a completed project[;] [s]topping the production of fiction in its tracks now would leave us with a corpus of stories that” is suboptimal in some way.
Because the criteria of optimality change over time. If civilization ever becomes so static (or so cyclic) that I agree with people 50 years ago about what makes for a good story, then you can stop writing new fiction. As is, there certainly are some old works that were so good for their own time that they’re still worth reading now, despite the differences in values. But I can’t fail to notice those differences, and they do detract from my enjoyment unless I’m specifically in the mood for something alien.
As is, there certainly are some old works that were so good for their own time that they’re still worth reading now, despite the differences in values.
If the criteria are always changing & devaluing old works, why do we read things like Gilgamesh or the Iliad or Odyssey? Did they have nigh-infinite value, that they could survive 3k+ years?
It makes the corpus more complete, if nothing else. Of course we don’t want to write all possible books; that’s just the useless Library of Babel. But that’s physically impossible anyway; within the range that we can apprehend, I’m inclined to say that more books about more topics is better.
Group underrepresenatation isn’t even necessary, either. A more general form of the argument carries as long as you agree that “[fiction] isn’t a completed project[;] [s]topping the production of fiction in its tracks now would leave us with a corpus of stories that” is suboptimal in some way.
Cf. DH7
Nope, doesn’t work. Why do you think new fiction would make the corpus more optimal in any way?
Because the criteria of optimality change over time. If civilization ever becomes so static (or so cyclic) that I agree with people 50 years ago about what makes for a good story, then you can stop writing new fiction. As is, there certainly are some old works that were so good for their own time that they’re still worth reading now, despite the differences in values. But I can’t fail to notice those differences, and they do detract from my enjoyment unless I’m specifically in the mood for something alien.
If the criteria are always changing & devaluing old works, why do we read things like Gilgamesh or the Iliad or Odyssey? Did they have nigh-infinite value, that they could survive 3k+ years?
As far as I can tell this is just the “spirit of the times” point restated by people who can’t be bothered to read our long-winded exchange.
It makes the corpus more complete, if nothing else. Of course we don’t want to write all possible books; that’s just the useless Library of Babel. But that’s physically impossible anyway; within the range that we can apprehend, I’m inclined to say that more books about more topics is better.