It’s only easy if you take something that’s scary-and-nongood and claim it’s scary-and-good. Coming up with things that you believe are genuinely optimal, and which happen to be scary, is the realistic way of generating a scary utopia. It is not cheating. And many readers will disagree, but that’s fine.
An ideal author can write ideal stories. But I found that scariness sucks story energy from the other parts (both for me and the reader). A long story can cope with it, but a short story risks becoming a SCARY utopia rather than a scary UTOPIA.
Or you could up with something that has a clear and terrible price, and such confusing and indirect benefits that no human could reasonably figure out their magnitude.
It’s only easy if you take something that’s scary-and-nongood and claim it’s scary-and-good. Coming up with things that you believe are genuinely optimal, and which happen to be scary, is the realistic way of generating a scary utopia. It is not cheating. And many readers will disagree, but that’s fine.
An ideal author can write ideal stories. But I found that scariness sucks story energy from the other parts (both for me and the reader). A long story can cope with it, but a short story risks becoming a SCARY utopia rather than a scary UTOPIA.
More details in my post at http://lesswrong.com/r/discussion/lw/920/eutopia_is_scary_for_the_author/
Or you could up with something that has a clear and terrible price, and such confusing and indirect benefits that no human could reasonably figure out their magnitude.