If you strongly feel all of mainstream academia is biased, then pick a school known for being right-wing. Academia’s culture is an issue worthy of discussion, but well outside the scope of “should history be in core curriculums”.
Though I suspect I have a rather dimmer view of the social sciences’ “crowning achievements” than you do, I’m not objecting directly to their political content there. I was mainly trying to point to their structure: each one consists of a set of critical tools and attached narrative and ideology that’s relatively self-contained and internally consistent relative to those tools. Soft academia’s culture, to me, seems highly concerned with crafting and extending those narratives and distinctly unconcerned with grounding or verifying them; an anthropologist friend of mine, for example, has told me outright that her field’s about telling stories as opposed to doing research in the sense that I’m familiar with, STEMlord that I am. The subtext is that anything goes as long as it doesn’t vindicate what you’ve called the naive view of culture.
That’s a broader topic than “should history be in core curriculums?”, but the relevance should be obvious. The precise form it takes, and the preferred models, do vary by school, but picking a right-wing school would simply replace one narrative with another. (I’d probably also like the students less.)
The softer social sciences and humanities simply won’t be able to use a lot of nice, rigorous tools.
They don’t. That doesn’t mean they can’t. There’s plenty of rigorous analysis of issues involved in social science out there; it’s just that most of it doesn’t come from social scientists. Some of the best sociology I’ve ever seen was done by statisticians.
(Chomsky, incidentally, was a brilliant linguist—if not always one vindicated by later research—but he’s now so well known for his [mostly unrelated] radical politics that focusing on him is likely to give the wrong impression of the field.)
seems highly concerned with crafting and extending those narratives and distinctly unconcerned with grounding or verifying them;
I think this is a problem, BUT it wouldn’t be a problem if we had more people willing to pick up the ball and take these narratives as hypotheses and test/ground them. I think there IS a broad but slow movement towards this. I think these narrative-building cultures are fantastic at generating hypotheses, and I am also sympathetic in that it is pretty hard to test many of hypotheses concretely. That said, constant criticism and analysis is a (sub-optimal) form of testing.
Historians tend to be as concrete as they can, even if it’s non-quantitatively. If an art historian says one artist influenced another, they will demonstrate stylistic similarities and a possible or verified method of contact between the two artists. That’s pretty concrete. It can rely on more abstract theories about what is a “stylistic similarity” though, but that’s inevitable.
I also think that the broadest and best theories are the ones you see taught at an undergrad level. The problems you point out are all more pernicious at the higher levels.
There’s plenty of rigorous analysis of issues involved in social science out there; it’s just that most of it doesn’t come from social scientists. Some of the best sociology I’ve ever seen has been done by statisticians.
Surely true. But I think (from personal discussions with academics) there is a big movement towards quantitative and empirical in social sciences (particularly political science and history), and the qualitative style is still great for hypothesis generation.
I also think our discussion is getting a bit unclear because we’ve lumped the humanities and social sciences together. That’s literally millions of researchers using a vast array of methodologies. Some departments are incredibly focused on being quantitative, some are allergic to numbers.
Though I suspect I have a rather dimmer view of the social sciences’ “crowning achievements” than you do, I’m not objecting directly to their political content there. I was mainly trying to point to their structure: each one consists of a set of critical tools and attached narrative and ideology that’s relatively self-contained and internally consistent relative to those tools. Soft academia’s culture, to me, seems highly concerned with crafting and extending those narratives and distinctly unconcerned with grounding or verifying them; an anthropologist friend of mine, for example, has told me outright that her field’s about telling stories as opposed to doing research in the sense that I’m familiar with, STEMlord that I am. The subtext is that anything goes as long as it doesn’t vindicate what you’ve called the naive view of culture.
That’s a broader topic than “should history be in core curriculums?”, but the relevance should be obvious. The precise form it takes, and the preferred models, do vary by school, but picking a right-wing school would simply replace one narrative with another. (I’d probably also like the students less.)
They don’t. That doesn’t mean they can’t. There’s plenty of rigorous analysis of issues involved in social science out there; it’s just that most of it doesn’t come from social scientists. Some of the best sociology I’ve ever seen was done by statisticians.
(Chomsky, incidentally, was a brilliant linguist—if not always one vindicated by later research—but he’s now so well known for his [mostly unrelated] radical politics that focusing on him is likely to give the wrong impression of the field.)
I think this is a problem, BUT it wouldn’t be a problem if we had more people willing to pick up the ball and take these narratives as hypotheses and test/ground them. I think there IS a broad but slow movement towards this. I think these narrative-building cultures are fantastic at generating hypotheses, and I am also sympathetic in that it is pretty hard to test many of hypotheses concretely. That said, constant criticism and analysis is a (sub-optimal) form of testing.
Historians tend to be as concrete as they can, even if it’s non-quantitatively. If an art historian says one artist influenced another, they will demonstrate stylistic similarities and a possible or verified method of contact between the two artists. That’s pretty concrete. It can rely on more abstract theories about what is a “stylistic similarity” though, but that’s inevitable.
I also think that the broadest and best theories are the ones you see taught at an undergrad level. The problems you point out are all more pernicious at the higher levels.
Surely true. But I think (from personal discussions with academics) there is a big movement towards quantitative and empirical in social sciences (particularly political science and history), and the qualitative style is still great for hypothesis generation.
I also think our discussion is getting a bit unclear because we’ve lumped the humanities and social sciences together. That’s literally millions of researchers using a vast array of methodologies. Some departments are incredibly focused on being quantitative, some are allergic to numbers.