I have also noticed this ability-to-react for several years. I am definitely good at it. Unfortunately, I cannot offer any advice on developing the skill, but I do have some observations:
-I tend to get nervous after doing something. For instance, when presenting to a large group, I feel completely calm. Afterward, however, I often start shaking as I go over it in my head.
-Regarding public speaking, I don’t generally need to write out what I’m going to say, but I do need to think it out in advance. Usually, I have a 5-10 line summary for a 10 minute presentation. Otherwise, I ramble.
-This skill is especially useful in dancing. I dance blues, salsa, and some swing socially. I almost never plan out moves; dance partners have asked me many times what that cool move was, and I have no idea. Apparently this is very unusual. The flip side is that I cannot dance pre-choreographed moves at all. Usually I forget the sequence within 3 measures and just do something else.
-I also love simulations like those you mentioned. We used to do emergency simulations in the Scouts, and I felt very in-my-element. I just go into this alert problem-solving mode and everything seems to flow smoothly. It feels great.
Two hypotheses:
Is this skill related to left/right brain dominance? I believe my ability-to-act is unusually good, and I know that I am extremely right brained. Intuitively, this ability-to-act sounds like a right-brain skill. Any other observations for/against this hypothesis?
I would bet money under long odds that this skill correlates closely with parallel thinking. Parallel thinking is the ability to consider multiple approaches to a problem simultaneously; I do it constantly. If you’ve ever looked at a problem,immediately seen three ways of doing it, estimated the difficulty of each, and gone with the best, that’s parallel thinking. When I’m in ability-to-act mode, it becomes a subconscious process. Any one else want to submit evidence for or against for this one?
I almost never plan out moves; dance partners have asked me many times what that cool move was, and I have no idea.
That’s very impressive, and also very odd. It’s quite hard to be aware enough of yourself and your partner that you can do something both complicated and unfamiliar. And yet when I’ve done so, I always remember what it is I did, because I was thinking about it quite hard at the time.
I don’t think this is that odd. I’m similar; I have only just started getting formal dance training this semester, but my body intuits cool looking ways to move, that I then have difficulty remembering perfectly. I’m very much in the same boat as johnwentsworth, but because of my inability to remember prechoreographed moves, I only do improvisational dancing.
For example, one time I was dancing in heavy boots on a linoleum floor and I did a slide, moving several feet along the floor without picking up my boots (and also without making that annoying squicky sound). The guy next to me said “whoah that was really cool, do that again” and much to my chagrin I couldn’t, and haven’t been able to since.
I’m doing both. I was in a performance last week, my part was an improv. It was me, two other dancers, and three musicians: a guy on sax, a guy on xylophone, and a gal on the piano. All six of us were improvising, taking turns leading, following, &c. It was pretty cool.
The single greatest factor in noise for that sort of thing seems to be moisture. Actual sliding is a matter of balance, distributing weight evenly across the bearing surface so it’s easier to break static friction all at once.
Unfortunately I don’t have hard numbers available, just informal observations of high school students with boots goofing around after coming inside on rainy days.
Shazbot. Some experimentation is called for. I recently did something similar but not quite as impressive on a freshly waxed(?) floor, and it worked fairly well with no noise.
I actually thought about including this in the post: what is the correlation between ability-to-act and creativity (which is considered to be a right-brain phenomenon, I think)? I’ve known people who were extremely creative and also very open and able to react. They tend to be performers in theatre or music, and very extroverted. I’ve also known very creative people who are introverted and shy in person. They tend to be poets or writers. And most of the lifeguard team people I know are quite analytical rather than creative, but they can still have fast reactions.
I have also noticed this ability-to-react for several years. I am definitely good at it. Unfortunately, I cannot offer any advice on developing the skill, but I do have some observations:
-I tend to get nervous after doing something. For instance, when presenting to a large group, I feel completely calm. Afterward, however, I often start shaking as I go over it in my head.
-Regarding public speaking, I don’t generally need to write out what I’m going to say, but I do need to think it out in advance. Usually, I have a 5-10 line summary for a 10 minute presentation. Otherwise, I ramble.
-This skill is especially useful in dancing. I dance blues, salsa, and some swing socially. I almost never plan out moves; dance partners have asked me many times what that cool move was, and I have no idea. Apparently this is very unusual. The flip side is that I cannot dance pre-choreographed moves at all. Usually I forget the sequence within 3 measures and just do something else.
-I also love simulations like those you mentioned. We used to do emergency simulations in the Scouts, and I felt very in-my-element. I just go into this alert problem-solving mode and everything seems to flow smoothly. It feels great.
Two hypotheses:
Is this skill related to left/right brain dominance? I believe my ability-to-act is unusually good, and I know that I am extremely right brained. Intuitively, this ability-to-act sounds like a right-brain skill. Any other observations for/against this hypothesis?
I would bet money under long odds that this skill correlates closely with parallel thinking. Parallel thinking is the ability to consider multiple approaches to a problem simultaneously; I do it constantly. If you’ve ever looked at a problem,immediately seen three ways of doing it, estimated the difficulty of each, and gone with the best, that’s parallel thinking. When I’m in ability-to-act mode, it becomes a subconscious process. Any one else want to submit evidence for or against for this one?
That’s very impressive, and also very odd. It’s quite hard to be aware enough of yourself and your partner that you can do something both complicated and unfamiliar. And yet when I’ve done so, I always remember what it is I did, because I was thinking about it quite hard at the time.
I don’t think this is that odd. I’m similar; I have only just started getting formal dance training this semester, but my body intuits cool looking ways to move, that I then have difficulty remembering perfectly. I’m very much in the same boat as johnwentsworth, but because of my inability to remember prechoreographed moves, I only do improvisational dancing.
For example, one time I was dancing in heavy boots on a linoleum floor and I did a slide, moving several feet along the floor without picking up my boots (and also without making that annoying squicky sound). The guy next to me said “whoah that was really cool, do that again” and much to my chagrin I couldn’t, and haven’t been able to since.
Dancing alone? Improvisation gets a lot harder when you have to mix in the mechanics of two people and then lead it.
I’m doing both. I was in a performance last week, my part was an improv. It was me, two other dancers, and three musicians: a guy on sax, a guy on xylophone, and a gal on the piano. All six of us were improvising, taking turns leading, following, &c. It was pretty cool.
The single greatest factor in noise for that sort of thing seems to be moisture. Actual sliding is a matter of balance, distributing weight evenly across the bearing surface so it’s easier to break static friction all at once.
Are you saying more moisture causes sound, or less?
There’s an optimum amount of moisture which produces maximum squeaking.
Certainly. What is it? Also, more importantly, what is the optimal amount of moisture that produces minimum squeaking?
Unfortunately I don’t have hard numbers available, just informal observations of high school students with boots goofing around after coming inside on rainy days.
Shazbot. Some experimentation is called for. I recently did something similar but not quite as impressive on a freshly waxed(?) floor, and it worked fairly well with no noise.
I actually thought about including this in the post: what is the correlation between ability-to-act and creativity (which is considered to be a right-brain phenomenon, I think)? I’ve known people who were extremely creative and also very open and able to react. They tend to be performers in theatre or music, and very extroverted. I’ve also known very creative people who are introverted and shy in person. They tend to be poets or writers. And most of the lifeguard team people I know are quite analytical rather than creative, but they can still have fast reactions.