I’m sure you can provide an example, and in turn I’ll point out reasons why it doesn’t count as Deus ex Machina.
For instance, when Draco Malfoy decided to torture Harry to death and the only thing that saved him was time machine and time paradox. Very literal deus ex machina.
Another one is the end of the book in all its entirety. Without a very helping hand of the demiurg, Harry should have died (and teach us one very important lesson).
I can probably find a few more, but these two already look good enough.
ultimately it’ll come down to opinion.
I do believe that rational people can always find a way to understand each other.
Not everything Harry does is meant to be a good example (I mean, even Eliezer knows better than to write a completely perfect character), which is probably why he gets into all that trouble.
I personally prefer protagonists who don’t get into the trouble mostly because of their own faults.
I don’t mind the occasional protagonist who makes their own trouble. I agree it would be annoying if all protagonists were like that (and I agree that Harry is annoying in general), there’s room in the world for stories like this.
Now that you mention it, your first example does sound like a Deus Ex Machina. Except that
the story already established that the simplest possible time loop is preferred, and it’s entirely possible that if Harry hadn’t gotten out to pass a note, someone would have gone back in time to investigate his death, and inadvertently caused a paradox by unlocking the door.
This wouldn’t have had to be a long explanation or full-blown lecture, just enough to confirm this interpretation. But since it wasn’t confirmed and there are multiple valid interpretations of the mechanics, it does come across as a bit of an “I got out of jail free” moment.
I… don’t understand your second example. I think that part of the story works just fine. Harry’s solution was plausible, and even foreshadowed
in chapter 28 when he used transfiguration to apply force.
it’s entirely possible that if Harry hadn’t gotten out to pass a note, someone would have gone back in time to investigate his death, and inadvertently caused a paradox by unlocking the door.
Sounds like too much of a stretch to me.
Doesn’t this make Harry virtually immortal unless something so catastrophic happens that it destroys all the world at once?
in chapter 28 when he used transfiguration to apply force.
It is a stretch, which is why it needed to be explained.
And yes, it would kind of make him immune to dying… in cases where he could be accidentally rescued. Cases like a first year student’s spell locking a door, which an investigator could easily dispel when trying to investigate.
Oh, and I guess once it was established, the other time travel scenes would have had to be written differently. Or at least clarify that “while Draco’s murder plot was flimsy enough that the simplest timeline was the timeline in which it failed, Quirrel’s murder plot was bulletproof enough that the simplest outcome was for it to succeed.” Because authors write the rules, they can get away with a lot of nonsense. But in this kind of story, they do need to acknowledge and (try to) explain any inconsistencies.
And here’s the line I was referring to:
“The earlier experiment had measured whether Transfiguring a long diamond rod into a shorter diamond rod would allow it to lift a suspended heavy weight as it contracted, i.e., could you Transfigure against tension, which you in fact could.” (Chapter 28, foreshadowing the nanotube, which may or may not have been what you were talking about)
And yes, it would kind of make him immune to dying… in cases where he could be accidentally rescued.
By a time traveler, who doesn’t need to do much—only to appear and make the paradox possible. That makes the list of possible cases much more extensive than a first year student locking the door.
And here’s the line I was referring to:
Correct me if I don’t remember something, but that episode didn’t imply that he would be able to create and manipulate tentacles like he did in the book’s final.
And that partial transfiguration thingy is a DEM itself as it was used several times to get Harry out of hot water and serves no other purpose in the plot.
For instance, when Draco Malfoy decided to torture Harry to death and the only thing that saved him was time machine and time paradox. Very literal deus ex machina.
Another one is the end of the book in all its entirety. Without a very helping hand of the demiurg, Harry should have died (and teach us one very important lesson).
I can probably find a few more, but these two already look good enough.
I do believe that rational people can always find a way to understand each other.
I personally prefer protagonists who don’t get into the trouble mostly because of their own faults.
I don’t mind the occasional protagonist who makes their own trouble. I agree it would be annoying if all protagonists were like that (and I agree that Harry is annoying in general), there’s room in the world for stories like this.
Now that you mention it, your first example does sound like a Deus Ex Machina. Except that
the story already established that the simplest possible time loop is preferred, and it’s entirely possible that if Harry hadn’t gotten out to pass a note, someone would have gone back in time to investigate his death, and inadvertently caused a paradox by unlocking the door.
This wouldn’t have had to be a long explanation or full-blown lecture, just enough to confirm this interpretation. But since it wasn’t confirmed and there are multiple valid interpretations of the mechanics, it does come across as a bit of an “I got out of jail free” moment.
I… don’t understand your second example. I think that part of the story works just fine. Harry’s solution was plausible, and even foreshadowed
in chapter 28 when he used transfiguration to apply force.
it’s entirely possible that if Harry hadn’t gotten out to pass a note, someone would have gone back in time to investigate his death, and inadvertently caused a paradox by unlocking the door.
Sounds like too much of a stretch to me.
Doesn’t this make Harry virtually immortal unless something so catastrophic happens that it destroys all the world at once?
in chapter 28 when he used transfiguration to apply force.
I don’t remember that part, could point me to it?
It is a stretch, which is why it needed to be explained.
And yes, it would kind of make him immune to dying… in cases where he could be accidentally rescued. Cases like a first year student’s spell locking a door, which an investigator could easily dispel when trying to investigate.
Oh, and I guess once it was established, the other time travel scenes would have had to be written differently. Or at least clarify that “while Draco’s murder plot was flimsy enough that the simplest timeline was the timeline in which it failed, Quirrel’s murder plot was bulletproof enough that the simplest outcome was for it to succeed.” Because authors write the rules, they can get away with a lot of nonsense. But in this kind of story, they do need to acknowledge and (try to) explain any inconsistencies.
And here’s the line I was referring to:
“The earlier experiment had measured whether Transfiguring a long diamond rod into a shorter diamond rod would allow it to lift a suspended heavy weight as it contracted, i.e., could you Transfigure against tension, which you in fact could.” (Chapter 28, foreshadowing the nanotube, which may or may not have been what you were talking about)
And yes, it would kind of make him immune to dying… in cases where he could be accidentally rescued.
By a time traveler, who doesn’t need to do much—only to appear and make the paradox possible. That makes the list of possible cases much more extensive than a first year student locking the door.
And here’s the line I was referring to:
Correct me if I don’t remember something, but that episode didn’t imply that he would be able to create and manipulate tentacles like he did in the book’s final.
And that partial transfiguration thingy is a DEM itself as it was used several times to get Harry out of hot water and serves no other purpose in the plot.