Bridge of Spies) (overly earnest—painfully and ironically so given the War on Terror—Cold War Spielberg film about a lawyer defending a spy; becomes much better and tense when the primary plot begins and Donovan must carefully play off the East Germans and Soviets while not blowing the whole deal. Standard Hollywood polish, perhaps a bit too heavy on the deliberate symbolism like the cold passed from Abel to Donovan onwards or the train/fence pairings and the contrast between the film implying Abel would be treated as a traitor by the USSR compared to Powers, which was the departure from history I found most objectionable.)
Bridge of Spies) (overly earnest—painfully and ironically so given the War on Terror—Cold War Spielberg film about a lawyer defending a spy; becomes much better and tense when the primary plot begins and Donovan must carefully play off the East Germans and Soviets while not blowing the whole deal. Standard Hollywood polish, perhaps a bit too heavy on the deliberate symbolism like the cold passed from Abel to Donovan onwards or the train/fence pairings and the contrast between the film implying Abel would be treated as a traitor by the USSR compared to Powers, which was the departure from history I found most objectionable.)