I think that there may be something of a sampling bias going on here. The sort of structure analysis of storytelling we do attracts some particularly intelligent and rational people, but also quite a lot who are, charitably speaking, not. It’s a constant struggle to keep the prominent pages full of the stuff that’s actually worth reading, and to shove the rest under a sofa when we can’t get rid of it entirely.
I think that there may be something of a sampling bias going on here. The sort of structure analysis of storytelling we do attracts some particularly intelligent and rational people, but also quite a lot who are, charitably speaking, not. It’s a constant struggle to keep the prominent pages full of the stuff that’s actually worth reading, and to shove the rest under a sofa when we can’t get rid of it entirely.