Bias in action: I practice my singing by doing voice recordings with my phone and then listening to them for feedback. (2 years and going, the improvement has been tremendous, I went from ashamed to somewhat proud of my singing voice.) I’ve been noticing myself physically clench up while listening to pieces of particularly… uncertain quality. It’s a state of muscle tension that tends to accompany a mental state of defensiveness about my performance. As if I’m exerting effort in an attempt to squeeze every drop of appreciation from my perception. I certainly don’t mean to get so insecure about it that I have to dupe myself into liking what I hear, but it happens outside of my control.
I notice this most of the time, and reminding myself to relax muscularly usually helps with perceiving the quality of my practice more accurately.
Does anyone else get this in various other contexts?
A more accurate impression is basically always one that notices more mistakes. Besides, after some time passes every flaw in my performance becomes painfully obvious to me, most likely because the piece is no longer in my recent memory and therefore probably no longer subject to this unconscious attempt to gloss over mistakes.
And of course, after a while, you just develop an intuition for this kind of thing.
Bias in action: I practice my singing by doing voice recordings with my phone and then listening to them for feedback. (2 years and going, the improvement has been tremendous, I went from ashamed to somewhat proud of my singing voice.) I’ve been noticing myself physically clench up while listening to pieces of particularly… uncertain quality. It’s a state of muscle tension that tends to accompany a mental state of defensiveness about my performance. As if I’m exerting effort in an attempt to squeeze every drop of appreciation from my perception. I certainly don’t mean to get so insecure about it that I have to dupe myself into liking what I hear, but it happens outside of my control.
I notice this most of the time, and reminding myself to relax muscularly usually helps with perceiving the quality of my practice more accurately.
Does anyone else get this in various other contexts?
How do you measure accuracy separately?
A more accurate impression is basically always one that notices more mistakes. Besides, after some time passes every flaw in my performance becomes painfully obvious to me, most likely because the piece is no longer in my recent memory and therefore probably no longer subject to this unconscious attempt to gloss over mistakes.
And of course, after a while, you just develop an intuition for this kind of thing.