Father is a good example of a character whose central flaw is his lack of green. Father was originally created as a fragment of Truth, but he never tries to understand the implications of that origin. Instead, he only ever sees God as something to be conquered, the holder of a power he can usurp. While the Elric brothers gain some understanding of “all is one, one is all” during their survival training, Father never does—he never stops seeing himself as a fragile cloud of gas inside a flask, obsessively needing to erect a dichotomy between controller and controlled. Not once in the series does he express anything resembling awe. When Father finally does encounter God beyond the Doorway of Truth, he doesn’t recognize what he’s seeing. The Elric brothers have artistic expressions of wonderment toward God inscribed on their Doorways of Truth, but Father’s Doorway of Truth is blank.
Father’s lack of green also extends to how he sees humans. It never seems to occur to Father that the taboo against human transmutation is anything more than an arbitrary rule. To him, humans are only ever tools or inconveniences, not people to appreciate for their own sake or look to for guidance. Joy-in-the-Other is what Father most deeply desires, but he doesn’t recognize this need.
Spoilers for Fullmetal Alchemist: Brotherhood:
Father is a good example of a character whose central flaw is his lack of green. Father was originally created as a fragment of Truth, but he never tries to understand the implications of that origin. Instead, he only ever sees God as something to be conquered, the holder of a power he can usurp. While the Elric brothers gain some understanding of “all is one, one is all” during their survival training, Father never does—he never stops seeing himself as a fragile cloud of gas inside a flask, obsessively needing to erect a dichotomy between controller and controlled. Not once in the series does he express anything resembling awe. When Father finally does encounter God beyond the Doorway of Truth, he doesn’t recognize what he’s seeing. The Elric brothers have artistic expressions of wonderment toward God inscribed on their Doorways of Truth, but Father’s Doorway of Truth is blank.
Father’s lack of green also extends to how he sees humans. It never seems to occur to Father that the taboo against human transmutation is anything more than an arbitrary rule. To him, humans are only ever tools or inconveniences, not people to appreciate for their own sake or look to for guidance. Joy-in-the-Other is what Father most deeply desires, but he doesn’t recognize this need.