Cinderella 2015: this was more interesting than I had expected. What it seems to be aiming at is a polished, straight/non-revisionist telling of the classic Cinderella story (without the narcissism of Frozen and its instantly-dated tone-deaf snark), but with a minimalist approach to magic and comedy (the animals are only minor elements) with all the romanticism and exaltation of traditionally feminine virtues implied, and a low-key but consistent effort at rationalizing and embedding the fairy-tale into a plausible world (a sort of 1700s England/Italy/France-hybrid small kingdom). For example, the wicked stepmother is indeed wicked and enjoys her small cruelties, but has motives beyond pure malevolence for the mistreatment (aware of her daughters’ fecklessness, if she doesn’t find them a match, they’re doomed); or while Cinderella is escaping from the palace, the prince plausibly orders a pursuit and the coachmen trip a portcullis on their way out to block pursuit, resolving a common objection. The rest of the movie is executed as competently as one expects of a top-tier Disney live-action film: the dresses are naturally almost hyperreal, the settings are overstuffed pastoral of almost Thomas Kinkade-caliber, and Cate Blanchett & Lily James hold down their parts well (the former to simmer and emote, and the latter to be brainless & beautiful—although I will never understand why they did not dye her eyebrows blond as well, a contrast which distracted me in almost every scene). All in all, pretty good and has probably cemented Cinderella’s status as a major part of the Disney princess-industry for another generation.
Night at the Museum: Secret of the Tomb (2014); an attempt to do a little worldbuilding in providing a backstory for all the antics, and close the franchise (temporarily?) with a theme of maturing and passing on the baton, closing the loop with the first movie; unfortunately it comes off as completely stale, with no gags we didn’t get tired of in the first two movies.
Cinderella 2015: this was more interesting than I had expected. What it seems to be aiming at is a polished, straight/non-revisionist telling of the classic Cinderella story (without the narcissism of Frozen and its instantly-dated tone-deaf snark), but with a minimalist approach to magic and comedy (the animals are only minor elements) with all the romanticism and exaltation of traditionally feminine virtues implied, and a low-key but consistent effort at rationalizing and embedding the fairy-tale into a plausible world (a sort of 1700s England/Italy/France-hybrid small kingdom). For example, the wicked stepmother is indeed wicked and enjoys her small cruelties, but has motives beyond pure malevolence for the mistreatment (aware of her daughters’ fecklessness, if she doesn’t find them a match, they’re doomed); or while Cinderella is escaping from the palace, the prince plausibly orders a pursuit and the coachmen trip a portcullis on their way out to block pursuit, resolving a common objection. The rest of the movie is executed as competently as one expects of a top-tier Disney live-action film: the dresses are naturally almost hyperreal, the settings are overstuffed pastoral of almost Thomas Kinkade-caliber, and Cate Blanchett & Lily James hold down their parts well (the former to simmer and emote, and the latter to be brainless & beautiful—although I will never understand why they did not dye her eyebrows blond as well, a contrast which distracted me in almost every scene). All in all, pretty good and has probably cemented Cinderella’s status as a major part of the Disney princess-industry for another generation.
Night at the Museum: Secret of the Tomb (2014); an attempt to do a little worldbuilding in providing a backstory for all the antics, and close the franchise (temporarily?) with a theme of maturing and passing on the baton, closing the loop with the first movie; unfortunately it comes off as completely stale, with no gags we didn’t get tired of in the first two movies.