My guess: [signalling] is why some people read the Iliad, but it’s not the main thing that makes it a classic.
Incidentally, there was one reddit comment that pushed me slightly in the direction of “yep, it’s just signalling”.
This was obviously not the intended point of that comment. But (ignoring how they misunderstood my own writing), the user
Quotes multiple high status people talking about the Iliad;
Tantalizingly hints that they are widely-read enough to be able to talk in detail about the Iliad and the old testament, and compare translations;
Says approximately nothing about the Iliad;
And says nothing at all about why they think the Iliad is good, and nor do roughly 3⁄4 of the people they quote. (Frye explains why it’s important, but that’s different. The last 6 lines of Keats talk about how Keats reacted to it, but that doesn’t say what’s good about it. Borges says a particular line is more beautiful than some other line (I think both lines are fine). Only Santayana tells me what he thinks is good about the Iliad.)
So like, you’re trying to convince me the Iliad isn’t just signalling by quoting Keats, saying essentially “I’d heard the Iliad was so good, but it took me forever to track down a copy[1]. When I did? Blew my mind, man. Blew my mind.” Nonspecific praise feels like signalling, appeal to authority feels like signalling, and the authority giving nospecific praise? This just really solidly rings my signalling bells, you know?
I misunderstood Keats when I first replied to the comment. I’d assumed that when he said he “heard Chapman speak out loud and bold”, he had, you know, heard someone named Chapman speak, perhaps loudly and boldly. Apparently it was what is called a “metaphor”, and he had actually just read Chapman’s translation.
Incidentally, there was one reddit comment that pushed me slightly in the direction of “yep, it’s just signalling”.
This was obviously not the intended point of that comment. But (ignoring how they misunderstood my own writing), the user
Quotes multiple high status people talking about the Iliad;
Tantalizingly hints that they are widely-read enough to be able to talk in detail about the Iliad and the old testament, and compare translations;
Says approximately nothing about the Iliad;
And says nothing at all about why they think the Iliad is good, and nor do roughly 3⁄4 of the people they quote. (Frye explains why it’s important, but that’s different. The last 6 lines of Keats talk about how Keats reacted to it, but that doesn’t say what’s good about it. Borges says a particular line is more beautiful than some other line (I think both lines are fine). Only Santayana tells me what he thinks is good about the Iliad.)
So like, you’re trying to convince me the Iliad isn’t just signalling by quoting Keats, saying essentially “I’d heard the Iliad was so good, but it took me forever to track down a copy[1]. When I did? Blew my mind, man. Blew my mind.” Nonspecific praise feels like signalling, appeal to authority feels like signalling, and the authority giving nospecific praise? This just really solidly rings my signalling bells, you know?
I misunderstood Keats when I first replied to the comment. I’d assumed that when he said he “heard Chapman speak out loud and bold”, he had, you know, heard someone named Chapman speak, perhaps loudly and boldly. Apparently it was what is called a “metaphor”, and he had actually just read Chapman’s translation.