Classical music expert here. I don’t think that classical music has been “completed” in any meaningful sense. Imagine a previously unknown piece by Beethoven being discovered tomorrow in some old German trove. I definitely don’t expect the public reaction to be “Meh, classical music is already completed, there’s no reason to perform this one”.
Of course, you could argue that Beethoven has achieved near-mythical status, and works by more obscure composers would be left in the trove. But I still don’t think that’s accurate. Obscure composers remain obscure only as long as no one care enough to publicize their work (e.g. Vivaldi, who was definitely obscure before 1920), and I can ensure you that the niche of classical performers is currently doing its best to resurrect a lot of old works. This is particularly true in the case of operas, where a lot of the work is done by the on stage representation itself, and we currently do this kind of things much better than 1700 people did. One of my favorite examples here is this excerpt from Les Indes galantes by Rameau, were they did an amazing job keeping the spirit of the original play.
What about living people writing classical music? Well, they exist too, and they usually don’t try to fully imitate the works of old masters. Classical music is just a set of (very precise) rules, that can be employed in unexpected ways. One of my favorite is the Lady Gaga fugue, which could not have been written by Bach himself for obvious reasons.
Classical music expert here. I don’t think that classical music has been “completed” in any meaningful sense. Imagine a previously unknown piece by Beethoven being discovered tomorrow in some old German trove. I definitely don’t expect the public reaction to be “Meh, classical music is already completed, there’s no reason to perform this one”.
Of course, you could argue that Beethoven has achieved near-mythical status, and works by more obscure composers would be left in the trove. But I still don’t think that’s accurate. Obscure composers remain obscure only as long as no one care enough to publicize their work (e.g. Vivaldi, who was definitely obscure before 1920), and I can ensure you that the niche of classical performers is currently doing its best to resurrect a lot of old works. This is particularly true in the case of operas, where a lot of the work is done by the on stage representation itself, and we currently do this kind of things much better than 1700 people did. One of my favorite examples here is this excerpt from Les Indes galantes by Rameau, were they did an amazing job keeping the spirit of the original play.
What about living people writing classical music? Well, they exist too, and they usually don’t try to fully imitate the works of old masters. Classical music is just a set of (very precise) rules, that can be employed in unexpected ways. One of my favorite is the Lady Gaga fugue, which could not have been written by Bach himself for obvious reasons.