Thanks for clarifying. Of those I’ve only seen Mindwalk but I understand better what you mean now.
And, sure, I agree that there’s a mostly unexplored popular-entertainment niche for this sort of rigorous message film; I originally thought you were supporting a different claim.
(shrug) This reduces to the question “what are plays for”? Whatever they’re for, failing to do that thing is grounds for objection.
I expect “that thing” is a disjunction, and I don’t claim to have a full specification. But in much the same way that one doesn’t have to be able to articulate precisely what a business plan is for in order to be pretty confident that the fact that it isn’t in iambic pentameter isn’t grounds for objecting to one, I don’t think a full specification of the purpose of theatre is necessary to support the claim I’m making.
That said, if I strip out the implicit context and address your question in isolation… “failing to entertain” is probably a generic enough answer to cover most of the bases.
Thanks for clarifying. Of those I’ve only seen Mindwalk but I understand better what you mean now.
And, sure, I agree that there’s a mostly unexplored popular-entertainment niche for this sort of rigorous message film; I originally thought you were supporting a different claim.
.
(shrug) This reduces to the question “what are plays for”? Whatever they’re for, failing to do that thing is grounds for objection.
I expect “that thing” is a disjunction, and I don’t claim to have a full specification. But in much the same way that one doesn’t have to be able to articulate precisely what a business plan is for in order to be pretty confident that the fact that it isn’t in iambic pentameter isn’t grounds for objecting to one, I don’t think a full specification of the purpose of theatre is necessary to support the claim I’m making.
That said, if I strip out the implicit context and address your question in isolation… “failing to entertain” is probably a generic enough answer to cover most of the bases.