NGE produces a recurring pattern of effect on a cluster of people, moreover, that effect is much more dramatic than what is usual in art.
The funny thing is, the more I research Evangelion—interview people, translate or transcribe obscure interviews and articles, etc. - the less I find any real depth to it but the more I admire Anno & co.’s intuitive skill with cinematography and improvisation.
What do you mean by real depth? In cinema, isn’t skilled cinematography included in that? If I recall correctly, I’ve read from you somewhere that you think most of NGE’s narrative/mythological background is an impromptu, leaky mess (which I mostly agree with), so you might mean that by lack of real depth, but that doesn’t subtract much from NGE’s overall success at thematic exposition, so I’m still not fully getting it.
The funny thing is, the more I research Evangelion—interview people, translate or transcribe obscure interviews and articles, etc. - the less I find any real depth to it but the more I admire Anno & co.’s intuitive skill with cinematography and improvisation.
What do you mean by real depth? In cinema, isn’t skilled cinematography included in that? If I recall correctly, I’ve read from you somewhere that you think most of NGE’s narrative/mythological background is an impromptu, leaky mess (which I mostly agree with), so you might mean that by lack of real depth, but that doesn’t subtract much from NGE’s overall success at thematic exposition, so I’m still not fully getting it.
I’m not a cinema person, so I don’t really know. I approach my anime from essentially a New Wave SF literary standpoint.