Um… did you read the following sentence? She didn’t abandon the idea at all. And there’s at least one major work that argues for it: ‘In the Shadow of the Sword.’
I did read the following sentence and noted that it does not have any footnotes attached to it—as far as I can see it’s an unsubstantiated assertion by some Wikipedia editor.
Besides “I’m not going to admit I was wrong, I just will stop talking/writing about this” counts as abandonment in my book.
As to Tom Holland, he is a writer, not an academic. Pop science, of course, has a rather large liking for outrageous claims.
Refraining from a ‘detailed’ reconstruction seems quite reasonable. In history, you don’t generally have to explain how something happens to assert that it did.
Holland is indeed something of a pop author, but once you’ve translated Herodotus it’s hard to claim that you have no real expertise in history.
That does not apply to outside-of-the-mainstream views.
It does indeed. Evidence that x is true is not the same as an explanation of how x occurred. For instance, we can see that an ancient city was burned down around a certain year, but not know for what purpose or by whom.
History is a very big subject. Translating Herodotus does not give you any insights into VI-VII century Arabia.
With straightforward archeological evidence, yes, it does. But if you are talking about a different interpretation of well-known sources, it’s not like you have new facts—what you are offering is a new narrative and that needs, basically, to make sense. “Making sense” here implies fitting into a larger context better than the old narrative which, in turn, involves better explanations of how and why things known to happen happened.
You just complained that he wasn’t an academic.
The point of that was to draw your attention to the criteria for his work. An academic (outside of gender studies and such) generally has to be very careful about his claims and very explicit about the evidence he uses. There are a lot of safeguards against jumping to conclusions and shoddy scholarship tends to be ruinous to a reputation.
A popsci writer, on the other hand, has incentives to produce an exciting and controversial story which will sell well.
Um… did you read the following sentence? She didn’t abandon the idea at all. And there’s at least one major work that argues for it: ‘In the Shadow of the Sword.’
I did read the following sentence and noted that it does not have any footnotes attached to it—as far as I can see it’s an unsubstantiated assertion by some Wikipedia editor.
Besides “I’m not going to admit I was wrong, I just will stop talking/writing about this” counts as abandonment in my book.
As to Tom Holland, he is a writer, not an academic. Pop science, of course, has a rather large liking for outrageous claims.
Refraining from a ‘detailed’ reconstruction seems quite reasonable. In history, you don’t generally have to explain how something happens to assert that it did.
Holland is indeed something of a pop author, but once you’ve translated Herodotus it’s hard to claim that you have no real expertise in history.
That does not apply to outside-of-the-mainstream views.
History is a very big subject. Translating Herodotus does not give you any insights into VI-VII century Arabia.
It does indeed. Evidence that x is true is not the same as an explanation of how x occurred. For instance, we can see that an ancient city was burned down around a certain year, but not know for what purpose or by whom.
You just complained that he wasn’t an academic.
With straightforward archeological evidence, yes, it does. But if you are talking about a different interpretation of well-known sources, it’s not like you have new facts—what you are offering is a new narrative and that needs, basically, to make sense. “Making sense” here implies fitting into a larger context better than the old narrative which, in turn, involves better explanations of how and why things known to happen happened.
The point of that was to draw your attention to the criteria for his work. An academic (outside of gender studies and such) generally has to be very careful about his claims and very explicit about the evidence he uses. There are a lot of safeguards against jumping to conclusions and shoddy scholarship tends to be ruinous to a reputation.
A popsci writer, on the other hand, has incentives to produce an exciting and controversial story which will sell well.