My (optimistic?) expectation is that it ends up (long run) a bit like baking. You can go into a supermarket and buy bread or cakes, but many people enjoy baking at home and there is a wonderful social sharing aspect to all tucking into a cake that someone at the table baked. In this context a human using an AI tool but applying some prompt changes or edits is maybe (depending on the level of AI use and human intervention) somewhere like using packet-mix, or premade pastry, or even just one of those already-made cakes that is intended for you to decorate with icing.
As a consumer, if I am listening to the Beatles say, I don’t think the fact that they were human is relevant to the enjoyment I derive from it. I never expect to meet any of them, some of them died before I was born. The same notes composed and synthesised from a computer would be the same notes and affect me the same way. But, when my wife plays me a song she wrote on the piano then that is something special that I would certainly not automate.
Many musicians on radio interviews or similar try and show more of who they are out to the audience (or at least a persona), presumably to try and make it feel more like the “song by someone I know” thing. At that scale its more “celebrity-following”, but that is also something the AI would not have—I don’t know how big a deal that is.
My (optimistic?) expectation is that it ends up (long run) a bit like baking.
Home/local music performance also transitioned into more of a niche already with the rise of recorded music as a default compared to live performance being the only option, didn’t it?
At that scale its more “celebrity-following”, but that is also something the AI would not have—I don’t know how big a deal that is.
While I doubt it will be the same thing for a transformer-era generative model due to the balance of workflow and results (and the resultant social linkages) being so different, it seems worth pointing out as a nearby reality anchor that virtual singers have had celebrity followings for a while, with Hatsune Miku and the other Crypton Future Media characters being the most popular where I tread. In fact, I fuzzily remember a song said to be about a Vocaloid producer feeling like their own name was being neglected by listeners in favor of the virtual singer’s (along the lines of mentally categorizing the songs as “Miku songs” rather than “(producer) songs”), but I can’t seem to source the interpretation now to verify my memory; it might’ve been “Unknown Mother-Goose”.
I certainly understand this feeling.
My (optimistic?) expectation is that it ends up (long run) a bit like baking. You can go into a supermarket and buy bread or cakes, but many people enjoy baking at home and there is a wonderful social sharing aspect to all tucking into a cake that someone at the table baked. In this context a human using an AI tool but applying some prompt changes or edits is maybe (depending on the level of AI use and human intervention) somewhere like using packet-mix, or premade pastry, or even just one of those already-made cakes that is intended for you to decorate with icing.
As a consumer, if I am listening to the Beatles say, I don’t think the fact that they were human is relevant to the enjoyment I derive from it. I never expect to meet any of them, some of them died before I was born. The same notes composed and synthesised from a computer would be the same notes and affect me the same way. But, when my wife plays me a song she wrote on the piano then that is something special that I would certainly not automate.
Many musicians on radio interviews or similar try and show more of who they are out to the audience (or at least a persona), presumably to try and make it feel more like the “song by someone I know” thing. At that scale its more “celebrity-following”, but that is also something the AI would not have—I don’t know how big a deal that is.
Home/local music performance also transitioned into more of a niche already with the rise of recorded music as a default compared to live performance being the only option, didn’t it?
While I doubt it will be the same thing for a transformer-era generative model due to the balance of workflow and results (and the resultant social linkages) being so different, it seems worth pointing out as a nearby reality anchor that virtual singers have had celebrity followings for a while, with Hatsune Miku and the other Crypton Future Media characters being the most popular where I tread. In fact, I fuzzily remember a song said to be about a Vocaloid producer feeling like their own name was being neglected by listeners in favor of the virtual singer’s (along the lines of mentally categorizing the songs as “Miku songs” rather than “(producer) songs”), but I can’t seem to source the interpretation now to verify my memory; it might’ve been “Unknown Mother-Goose”.