I don’t think perceiving color as qualia requires a name—in Women, Fire, and Dangerous Things, Lakoff describes a lot of research on how people classify color. While some languages have more words than others for colors, there’s good agreement on what the best example is for each color, and a sequence for the order in which color words appear in each language.
Also, even if there’s a word which covers red and orange, best examples of the color peak at what we would call a good red or a good orange,
The experience of how perceiving the sound “C3” is different from perceiving the sound of a raindrop also seems very incommunicable. I don’t think I could communicate it to a person who’s completely deaf.
I don’t think that’s what you need the name for. tzachquiel speaks about “metadata”. A name adds “metadata” that goes beyond what was there beforehand.
Emotions are quite interesting in that regard. It changes things to put a label on a sensation. In Focusing, putting a label on the sensation is an essential part. It’s also a step in the Sedona method.
Taking a label away can also make certain process such a EmoTrance easier.
If you want to describe how you are angry you can talk about how your heart rate rises and how you feel sensations in your belly but the label “anger” adds incommunicable metadata to it. It changes the experience.
Fear also raises emotions and might also let’s you feel sensation in your belly but it’s different in a way that just doesn’t boil down to raised heart rate and inner movement.
I’m reasonably sure that my experience of Focusing being different from ordinary use of language is typical—ordinary use involves accepting approximate words for experience, while Focusing takes a lot more time to find words that feel satisfyingly exact.
I agree that there’s metadata associated with sounds as well as color.
I don’t think perceiving color as qualia requires a name—in Women, Fire, and Dangerous Things, Lakoff describes a lot of research on how people classify color. While some languages have more words than others for colors, there’s good agreement on what the best example is for each color, and a sequence for the order in which color words appear in each language.
Also, even if there’s a word which covers red and orange, best examples of the color peak at what we would call a good red or a good orange,
The experience of how perceiving the sound “C3” is different from perceiving the sound of a raindrop also seems very incommunicable. I don’t think I could communicate it to a person who’s completely deaf.
I don’t think that’s what you need the name for. tzachquiel speaks about “metadata”. A name adds “metadata” that goes beyond what was there beforehand.
Emotions are quite interesting in that regard. It changes things to put a label on a sensation. In Focusing, putting a label on the sensation is an essential part. It’s also a step in the Sedona method. Taking a label away can also make certain process such a EmoTrance easier.
If you want to describe how you are angry you can talk about how your heart rate rises and how you feel sensations in your belly but the label “anger” adds incommunicable metadata to it. It changes the experience.
Fear also raises emotions and might also let’s you feel sensation in your belly but it’s different in a way that just doesn’t boil down to raised heart rate and inner movement.
I’m reasonably sure that my experience of Focusing being different from ordinary use of language is typical—ordinary use involves accepting approximate words for experience, while Focusing takes a lot more time to find words that feel satisfyingly exact.
I agree that there’s metadata associated with sounds as well as color.