Thanks for the Moldbug link—it’s the first thing I’ve read of his which didn’t seem to be soaked in malice and pointlessly obscure.
One thing good writers have in common is that they convey a sense that the world is interesting. I’m not sure what the method is, though possibly Eric Raymond’s idea (which I’ve heard him apply to speeches, but which probably also applies to text) is that frequent changes of tone are essential. It also (unlike the intimate tone) may be something that can’t be faked.
This is an honest question—is there a difference between writing that’s simply a pleasure to read, and writing which gets people to do things? It’s probable that the latter is a subset of the former.
Thanks for the Moldbug link—it’s the first thing I’ve read of his which didn’t seem to be soaked in malice and pointlessly obscure.
One thing good writers have in common is that they convey a sense that the world is interesting. I’m not sure what the method is, though possibly Eric Raymond’s idea (which I’ve heard him apply to speeches, but which probably also applies to text) is that frequent changes of tone are essential. It also (unlike the intimate tone) may be something that can’t be faked.
This is an honest question—is there a difference between writing that’s simply a pleasure to read, and writing which gets people to do things? It’s probable that the latter is a subset of the former.