One request I must make of my reader, which is, that in judging these poems he would decide by his own feelings genuinely, and not by reflection upon what will probably be the judgment of others. How common is it to hear a person say, I myself do not object to this style of composition, or this or that expression, but to such and such classes of people it will appear mean or ludicrous! This mode of criticism, so destructive of all sound unadulterated judgment, is almost universal: let the reader then abide, independently, by his own feelings, and, if he finds himself affected, let him not suffer such conjectures to interfere with his pleasure.
Wordsworth’s preface to Lyrical Ballads, qtd. in Forms of Verse by Sara DeFord and Clarinda H. Lott, pg. 36
Link to a related claim of mine: “If you have to predict other peoples’ judgments a lot, your brain starts to count their predictive categories as “natural”. The effect can be viral . . .”
One request I must make of my reader, which is, that in judging these poems he would decide by his own feelings genuinely, and not by reflection upon what will probably be the judgment of others. How common is it to hear a person say, I myself do not object to this style of composition, or this or that expression, but to such and such classes of people it will appear mean or ludicrous! This mode of criticism, so destructive of all sound unadulterated judgment, is almost universal: let the reader then abide, independently, by his own feelings, and, if he finds himself affected, let him not suffer such conjectures to interfere with his pleasure.
Wordsworth’s preface to Lyrical Ballads, qtd. in Forms of Verse by Sara DeFord and Clarinda H. Lott, pg. 36
Link to a related claim of mine: “If you have to predict other peoples’ judgments a lot, your brain starts to count their predictive categories as “natural”. The effect can be viral . . .”