Yudkowsky has sometimes used the phrase “genre savvy” to mean “knowing all the tropes of reality.”
For example, we live in a world where academia falls victim to publishing incentives/Goodhearting, and so academic journals fall short of what people with different incentives would be capable of producing. You’d be failing to be genre savvy if you expected that when a serious problem like AGI alignment rolled around, academia would suddenly get its act together with a relatively small amount of prodding/effort. Genre savvy actors in our world know what academia is like, and predict that academia will continue to do its thing in the future as well.
Genre savviness is the same kind of thing as hard-to-communicate-but-empirically-validated expert intuitions. When domain experts have some feel for what projects might pan out and what projects certainly won’t but struggle to explain their reasoning in depth, the most they might be able to do is claim that that project is just incompatible with the tropes of their corner of reality, and point to some other cases.
Yudkowsky has sometimes used the phrase “genre savvy” to mean “knowing all the tropes of reality.”
For example, we live in a world where academia falls victim to publishing incentives/Goodhearting, and so academic journals fall short of what people with different incentives would be capable of producing. You’d be failing to be genre savvy if you expected that when a serious problem like AGI alignment rolled around, academia would suddenly get its act together with a relatively small amount of prodding/effort. Genre savvy actors in our world know what academia is like, and predict that academia will continue to do its thing in the future as well.
Genre savviness is the same kind of thing as hard-to-communicate-but-empirically-validated expert intuitions. When domain experts have some feel for what projects might pan out and what projects certainly won’t but struggle to explain their reasoning in depth, the most they might be able to do is claim that that project is just incompatible with the tropes of their corner of reality, and point to some other cases.
How is “genre savviness” different from “outside view” or “reference class forecasting”?
I think they’re all the same thing: recognizing patterns in how a class of phenomena pan out.