A friend of mine described a creative writing class in which the students would read pieces on a workshop day and then have other students respond. The responses came in phases. First, anybody who wished to praise something about the piece had the opportunity to say that. When they were finished with that, anyone who wished to criticize something about the piece could do so. There was a third phase, but I don’t remember what it was—specific recommendations, maybe.
This always seemed like a very sensible model to me. It prevents the reader from feeling jumped on with criticism and internalizing the impression that the piece isn’t any good before anyone’s said anything nice yet. It also prevents the error mentioned in one of the EY excerpts in the OP—good and bad are both made explicit. Also, praise is useful. It tells someone what parts to keep!
A friend of mine described a creative writing class in which the students would read pieces on a workshop day and then have other students respond. The responses came in phases. First, anybody who wished to praise something about the piece had the opportunity to say that. When they were finished with that, anyone who wished to criticize something about the piece could do so. There was a third phase, but I don’t remember what it was—specific recommendations, maybe.
This always seemed like a very sensible model to me. It prevents the reader from feeling jumped on with criticism and internalizing the impression that the piece isn’t any good before anyone’s said anything nice yet. It also prevents the error mentioned in one of the EY excerpts in the OP—good and bad are both made explicit. Also, praise is useful. It tells someone what parts to keep!