I am interested in the notion that you object to provoking emotion on purpose objectionable.
That conclusion about my general preferences does not follow from my stated specific preferences.
Does this apply to art in general?
Not… in general, no. I do strongly dislike it when authors/directors/etc. provoke emotion in a deliberate attempt to misdirect the reader/viewer/etc. from considering what is going on in the work. That is, when there is an attempt to provoke emotion directly, rather than as a result of seeing/reading/otherwise apprehending the content. I will attempt to provide examples when I think of some.
(On a similar note—do you go to movies or see plays? Do you go ever dim lights for romantic purposes?)
I do go to movies, and even Broadway shows, though not plays, and do on occasion dim lights for romantic purposes (or, to be more precise, locate intended-to-be-romantic activities in locations with suitable light levels… which phrasing makes it sound rather unromantic, I suppose… ah well).
I am mostly just clarifying that you are someone who likes to explore and engage intellectually, but not emotionally
I don’t actually think this is a fair characterization. As I said to Kaj_Sotala here, it’s the collectivization of emotion, and of the emotion of sacredness in this case, that I object to.
If a group is meeting regularly, doing things you like, does it make your world worse if they start meeting additional times, doing things that you don’t like?
Maybe. It depends on the relative extent to which the activites I like and the activities I dislike contribute to the group’s identity and cohesiveness.
That conclusion about my general preferences does not follow from my stated specific preferences.
I may have worded it more strongly than you intended, but I thought you said:
deliberately provoking emotional responses (without attempting to build group cohesion or call to action)
Somewhat. I’m very wary of this sort of thing, but I don’t think I find it inherently objectionable.
In any case, I think I have at least a reasonable understanding of where you’re coming from. That’s all I have to say for now, although if you are able to articulate some of the other concerns you mentioned better that’d be appreciated.
There will be one more post which is something of an “emotional explanation of why I’m doing what I’m doing,” which is intended to be evocative but grounded in something very real. That will probably go up tomorrow. A few days later I’ll write up a more expansive post about where the idea of ritual and less wrong might or might not go, and what concerns I have about that.
That conclusion about my general preferences does not follow from my stated specific preferences.
Not… in general, no. I do strongly dislike it when authors/directors/etc. provoke emotion in a deliberate attempt to misdirect the reader/viewer/etc. from considering what is going on in the work. That is, when there is an attempt to provoke emotion directly, rather than as a result of seeing/reading/otherwise apprehending the content. I will attempt to provide examples when I think of some.
I do go to movies, and even Broadway shows, though not plays, and do on occasion dim lights for romantic purposes (or, to be more precise, locate intended-to-be-romantic activities in locations with suitable light levels… which phrasing makes it sound rather unromantic, I suppose… ah well).
I don’t actually think this is a fair characterization. As I said to Kaj_Sotala here, it’s the collectivization of emotion, and of the emotion of sacredness in this case, that I object to.
Maybe. It depends on the relative extent to which the activites I like and the activities I dislike contribute to the group’s identity and cohesiveness.
I may have worded it more strongly than you intended, but I thought you said:
In any case, I think I have at least a reasonable understanding of where you’re coming from. That’s all I have to say for now, although if you are able to articulate some of the other concerns you mentioned better that’d be appreciated.
There will be one more post which is something of an “emotional explanation of why I’m doing what I’m doing,” which is intended to be evocative but grounded in something very real. That will probably go up tomorrow. A few days later I’ll write up a more expansive post about where the idea of ritual and less wrong might or might not go, and what concerns I have about that.