An alternative framing, which I think is also part of the answer is that some art is supposed to hit a very large audience and give each a small amount of utility, and other art is supposed to hit a smaller, more specialized, audience very hard. This framing explains things like traditional daytime TV, stuff that no one really loves but a large number of bored people find kind of unobjectionable. And how that is different from the more specialist TV you might actually look forward to an episode off but might hit a smaller audience.
(Obviously some things can hit a big audience and be good, and others can be bad on both counts. But the interesting quadrants two compare are the other two).
I like this framing.
An alternative framing, which I think is also part of the answer is that some art is supposed to hit a very large audience and give each a small amount of utility, and other art is supposed to hit a smaller, more specialized, audience very hard. This framing explains things like traditional daytime TV, stuff that no one really loves but a large number of bored people find kind of unobjectionable. And how that is different from the more specialist TV you might actually look forward to an episode off but might hit a smaller audience.
(Obviously some things can hit a big audience and be good, and others can be bad on both counts. But the interesting quadrants two compare are the other two).