Yes and yes. Lovecraft was writing in early 20th century New England, but he typically affected the forms of late 1700s British English, or at least tried to. Partly this was for stylistic effect, but I get the sense that he also thought of his native idiom as intellectually debased.
The aesthetics of tradition were kind of a thing with Lovecraft, although in other ways he was thoroughly modern. Not that these affectations were exclusive to Lovecraft by any means; William Hope Hodgson for example wrote The Night Land (a seminal 1912 horror/SF story and notable Lovecraft influence) in an excruciating pseudo-17th-century dialect.
Yes and yes. Lovecraft was writing in early 20th century New England, but he typically affected the forms of late 1700s British English, or at least tried to. Partly this was for stylistic effect, but I get the sense that he also thought of his native idiom as intellectually debased.
The aesthetics of tradition were kind of a thing with Lovecraft, although in other ways he was thoroughly modern. Not that these affectations were exclusive to Lovecraft by any means; William Hope Hodgson for example wrote The Night Land (a seminal 1912 horror/SF story and notable Lovecraft influence) in an excruciating pseudo-17th-century dialect.