If I was given a goal of cutting my verbiage in half, I think I can do that reasonably well. The question is, what’s the meta-heuristic here? When should an authour go to the effort of aiming for shortened prose as opposed to longer text?
The reason that you want to be able to compress language is, in a broader sense, to be able to use words with extreme precision. An author that can do this is in a good position to decide whether they should, but someone that defaults to the more expansive writing is probably not using individual words conscientiously.
is probably not using individual words conscientiously.
I would go further: an author who has not edited down their prose to something tighter and with more bang for the buck is probably too in love with their writing to have carefully edited or considered all the other aspects of their story, such as the plot, pacing, content, or character voices.
If I was given a goal of cutting my verbiage in half, I think I can do that reasonably well. The question is, what’s the meta-heuristic here? When should an authour go to the effort of aiming for shortened prose as opposed to longer text?
The reason that you want to be able to compress language is, in a broader sense, to be able to use words with extreme precision. An author that can do this is in a good position to decide whether they should, but someone that defaults to the more expansive writing is probably not using individual words conscientiously.
I would go further: an author who has not edited down their prose to something tighter and with more bang for the buck is probably too in love with their writing to have carefully edited or considered all the other aspects of their story, such as the plot, pacing, content, or character voices.
Any thoughts or resources about the right amount of redundancy?
As a reader, it’s less work for more reward.