how do I tell what kind of dance fits the music that is playing?
Lowest hanging fruit: You need to learn the difference between “1, 2, 3” and “everything else”.
As an example, find “Hijo de la Luna” on YouTube and listen to the song. This is an example of the “1, 2, 3″ rhythm—I hope you hear it, because I can’t describe it well in text. Often in this type of music, the “1” is accompanied with a drum, or is otherwise louder. On this music, you can only dance some variant of Waltz, nothing else. You should learn it, because it probably will appear at weddings.
For the “everything else” category, I can’t really tell the difference between “1, 2, 3, 4“ and “1, 2, 1, 2”. For me, they are mostly compatible (all I need to know is that they are not “1, 2, 3”). Here I have a set of solutions, most universal among them are Jive and Foxtrot, and depending on the speed of the music, usually one of them can be used. (I simply try, and if the music is too fast so I am unable to move at the given speed, or if the music is too slow so the dance feels boring, I stop.)
Do any of you have advice on how to quickly achieve a minimum viable level of competence?
For ballroom dancing: I would recommend finding a lesson that includes Waltz, Jive, Foxtrot, and optionally some Latino dances. You don’t need to learn much: cca 3 figures of each will be enough, and then practice, practice, practice. (Muscle memory needs time.) Dance with different girls. Focus on leading—don’t dance the figures in predetermined order, but choose them randomly and use your body to communicate the decision. This is very important, because it will allow you to dance with new partners; you can’t expect to bring your dancing lessons partner everywhere.
Lowest hanging fruit: You need to learn the difference between “1, 2, 3” and “everything else”.
As an example, find “Hijo de la Luna” on YouTube and listen to the song. This is an example of the “1, 2, 3″ rhythm—I hope you hear it, because I can’t describe it well in text. Often in this type of music, the “1” is accompanied with a drum, or is otherwise louder. On this music, you can only dance some variant of Waltz, nothing else. You should learn it, because it probably will appear at weddings.
For the “everything else” category, I can’t really tell the difference between “1, 2, 3, 4“ and “1, 2, 1, 2”. For me, they are mostly compatible (all I need to know is that they are not “1, 2, 3”). Here I have a set of solutions, most universal among them are Jive and Foxtrot, and depending on the speed of the music, usually one of them can be used. (I simply try, and if the music is too fast so I am unable to move at the given speed, or if the music is too slow so the dance feels boring, I stop.)
For ballroom dancing: I would recommend finding a lesson that includes Waltz, Jive, Foxtrot, and optionally some Latino dances. You don’t need to learn much: cca 3 figures of each will be enough, and then practice, practice, practice. (Muscle memory needs time.) Dance with different girls. Focus on leading—don’t dance the figures in predetermined order, but choose them randomly and use your body to communicate the decision. This is very important, because it will allow you to dance with new partners; you can’t expect to bring your dancing lessons partner everywhere.