And more importantly, he cannot stop talking all the time about how gay he is and that his boyfriends are black.
Because there are many e.g. gays who disagree with SJWs, but they can easily be reframed as e.g. “privileged white males”. If you focus the attention to their aspects that fit the narrative, it is much easier to ignore those aspects that don’t (i.e. “a gay disagrees with SJWs” is a paradox, but “a cis white male disagrees with SJWs” is a confirmation of the worldview, so the key is to make you only think about the latter). With Milo such strategy is impossible, because if you let him talk for 10 seconds, he will remind you that he is gay and that his boyfriends are black. That will be the first and the last thing he will say, and everyone in the audience will remember that. His frame is unshakeable. The only way to stop people associating him with gayness and black boyfriends is to completely prevent him from being seen and heard. Which is quite difficult considering he works for media.
And more importantly, he cannot stop talking all the time about how gay he is and that his boyfriends are black.
Because there are many e.g. gays who disagree with SJWs, but they can easily be reframed as e.g. “privileged white males”. If you focus the attention to their aspects that fit the narrative, it is much easier to ignore those aspects that don’t (i.e. “a gay disagrees with SJWs” is a paradox, but “a cis white male disagrees with SJWs” is a confirmation of the worldview, so the key is to make you only think about the latter). With Milo such strategy is impossible, because if you let him talk for 10 seconds, he will remind you that he is gay and that his boyfriends are black. That will be the first and the last thing he will say, and everyone in the audience will remember that. His frame is unshakeable. The only way to stop people associating him with gayness and black boyfriends is to completely prevent him from being seen and heard. Which is quite difficult considering he works for media.