This is very exciting. I was hoping to be able to share some of my ideas here about this field with rational-minded people and see if they found them interesting (I find this site’s content and its members extremely interesting), and even this little chat here is quite encouraging.
Anyway, there are certainly stories that are designed with an agenda (like you said, as warnings) or to get people to care about something. BUT, if the story doesn’t actually work and doesn’t feel correct to people, it won’t be effective. For example (and I hope this is a good example), imagine if we took a story that illustrated the Big Bang back to some of our ancient ancestors. They would laugh us out of the village (if they didn’t kill us) and tell us that Vishnu created the Universe in a flower from his belly. In this case, our story has failed, even though we had the intent to tell them something extremely important and much more true than what they already believed.
Now, the second point you brought up is great, and it is indeed separate from giving “enlightenment”. Which is the story of a person who goes down the dark path and fails. This is a fine story obviously and many successful stories (like tragedies) take this form. But while these are not giving us a NEW idea, instead, they’re UNDERLINING what we already believe or know is true, which ALSO feels very good, though not QUITE as good as enlightenment. I label this, underlining what we know, as “Confirmation.” And in short, THIS is why we want to see the right guy get the girl, and people who have tragic flaws suffer from them, and why Batman can’t lose in the end (and you’d better not try it if you write the new Batman movie). We expect (though we may not know it consciously) movies to give us that feeling in the end...that what we believe is true, in this case that the person who shows the good traits eventually wins.
I actually haven’t been able to read Shakespeare yet, (the Old English is a tough barrier for me), but I do intend to...and we may find that Macbeth gives this feeling of confirmation, as many tragedies do, which is why it functions well.
Anyway if I get started this post will run all day. But I hope this is interesting and makes sense. I’m using this exchange as a measure for whether or not people might like posts on this topic.
Hi CCC,
This is very exciting. I was hoping to be able to share some of my ideas here about this field with rational-minded people and see if they found them interesting (I find this site’s content and its members extremely interesting), and even this little chat here is quite encouraging.
Anyway, there are certainly stories that are designed with an agenda (like you said, as warnings) or to get people to care about something. BUT, if the story doesn’t actually work and doesn’t feel correct to people, it won’t be effective. For example (and I hope this is a good example), imagine if we took a story that illustrated the Big Bang back to some of our ancient ancestors. They would laugh us out of the village (if they didn’t kill us) and tell us that Vishnu created the Universe in a flower from his belly. In this case, our story has failed, even though we had the intent to tell them something extremely important and much more true than what they already believed.
Now, the second point you brought up is great, and it is indeed separate from giving “enlightenment”. Which is the story of a person who goes down the dark path and fails. This is a fine story obviously and many successful stories (like tragedies) take this form. But while these are not giving us a NEW idea, instead, they’re UNDERLINING what we already believe or know is true, which ALSO feels very good, though not QUITE as good as enlightenment. I label this, underlining what we know, as “Confirmation.” And in short, THIS is why we want to see the right guy get the girl, and people who have tragic flaws suffer from them, and why Batman can’t lose in the end (and you’d better not try it if you write the new Batman movie). We expect (though we may not know it consciously) movies to give us that feeling in the end...that what we believe is true, in this case that the person who shows the good traits eventually wins.
I actually haven’t been able to read Shakespeare yet, (the Old English is a tough barrier for me), but I do intend to...and we may find that Macbeth gives this feeling of confirmation, as many tragedies do, which is why it functions well.
Anyway if I get started this post will run all day. But I hope this is interesting and makes sense. I’m using this exchange as a measure for whether or not people might like posts on this topic.