A number of these matters seem more narrative or genre conveniences : Francisco acts a playboy in the same way Bruce Wayne does, Rearden’s bridge development passes a lot of work to his specialist engineers (similarly to Rearden metal having a team of scientists skeptically helping him) and pretends that the man is still a one-man designer (among other handwaves). At the same time, Batman is not described as a superhuman engineer or playboy, nor would he act as those types of heroes. I’m also not sure we can know the long-term negative repercussions John Galt experiences given the length of the book, and not all people who experience torture display clinically relevant post-traumatic stress symptoms and many who do show them only sporadically. His engine is based on now-debunked theories of physics that weren’t so obviously thermodynamics-violating at the time, similarly to Project Xylophone.
These men are intended to be top-of-field capability from the perspective of a post-Soviet writer who knew little about their fields and could easily research less. Many of the people who show up under Galt’s tutelage are similarly exceptionally skilled, but even more are not so hugely capable.
On the other hand, the ability of her protagonists to persuade others and evaluate the risk of getting shot starts at superhuman and quickly becomes ridiculous.
On the gripping hand, I’m a little cautious about emphasizing fictional characters and acknowledgedly Heroic abilities as evidence, especially when the author wrote a number of non-fiction philosophy texts related to this topic.
A number of these matters seem more narrative or genre conveniences : Francisco acts a playboy in the same way Bruce Wayne does, Rearden’s bridge development passes a lot of work to his specialist engineers (similarly to Rearden metal having a team of scientists skeptically helping him) and pretends that the man is still a one-man designer (among other handwaves). At the same time, Batman is not described as a superhuman engineer or playboy, nor would he act as those types of heroes. I’m also not sure we can know the long-term negative repercussions John Galt experiences given the length of the book, and not all people who experience torture display clinically relevant post-traumatic stress symptoms and many who do show them only sporadically. His engine is based on now-debunked theories of physics that weren’t so obviously thermodynamics-violating at the time, similarly to Project Xylophone.
These men are intended to be top-of-field capability from the perspective of a post-Soviet writer who knew little about their fields and could easily research less. Many of the people who show up under Galt’s tutelage are similarly exceptionally skilled, but even more are not so hugely capable.
On the other hand, the ability of her protagonists to persuade others and evaluate the risk of getting shot starts at superhuman and quickly becomes ridiculous.
On the gripping hand, I’m a little cautious about emphasizing fictional characters and acknowledgedly Heroic abilities as evidence, especially when the author wrote a number of non-fiction philosophy texts related to this topic.