I don’t think Schoenberg ever had public favor. He may have had the favor of the “elite” music audience, but, as I understand it, the public at large was listening to early jazz. Maybe this is my American bias; I’m not sure.
I see your point about Bach; I always had the impression that composers knew about him, but the masses didn’t. I could be wrong. What were people in their homes actually playing in the 18th and 19th centuries? Whose music were they going to see? The question of whether or not “popular music” has replaced the music of the canonical composers from a cultural standpoint hinges on these answers that I don’t have.
I don’t think Schoenberg ever had public favor. He may have had the favor of the “elite” music audience, but, as I understand it, the public at large was listening to early jazz. Maybe this is my American bias; I’m not sure.
I see your point about Bach; I always had the impression that composers knew about him, but the masses didn’t. I could be wrong. What were people in their homes actually playing in the 18th and 19th centuries? Whose music were they going to see? The question of whether or not “popular music” has replaced the music of the canonical composers from a cultural standpoint hinges on these answers that I don’t have.