Regina Spektor, I’ve been discovering her stuff over the last few months and I’ve reached the point where I know roughly all of it. As I think is expected in this thread, all I can really offer here is possibility that blog-reading choices vaguely correlate with musical preferences. Her lyrics are pretty non-inane, especially upon repeated listening. Her variance of musical style is pleasing to me, makes it fun to play and listen to. Nothing especially Less Wrong-y, but I might be forgetting something. Though I don’t think I know any composer at all who’s (consistently) Less Wrong-y. She has a wild imagination and has written songs about being robots. She’s one of those artists whose discography is a tapestry of varied and wonderful worlds that I can never really appreciate unless I’m in the process of listening to it, always a process of both rediscovery and familiarity. (She often writes in the first-person as non-Regina people, from fiction, the bible, or anonymous people; more than half of her songs are probably from the perspective of a different person). There are also lots of moments in her various songs that strike me in the right way, that capture some complex emotion I had never put into words, which gives her songs a sense of salience and intelligence. Some especially enjoyable songs: Us very uplifting, makes you think; Call Them Brothers the man singing is her husband, I like the eeriness; The Party, uplifting, pretty; All the Rowboats, she makes cute noises, quite fast. Back of a Truck, from her unusually jazzy first album.
Disclosure: I play and especially like piano so appear to be skewed towards liking such artists.
I quite like Regina Spektor! I was first introduced to her as being “like the Dresden Dolls without the vitriol”—not a totally accurate description but not far off. The Dresden Dolls are good fun, and some of Amanda Palmer’s solo work has some great moments.
Regina Spektor, I’ve been discovering her stuff over the last few months and I’ve reached the point where I know roughly all of it. As I think is expected in this thread, all I can really offer here is possibility that blog-reading choices vaguely correlate with musical preferences. Her lyrics are pretty non-inane, especially upon repeated listening. Her variance of musical style is pleasing to me, makes it fun to play and listen to. Nothing especially Less Wrong-y, but I might be forgetting something. Though I don’t think I know any composer at all who’s (consistently) Less Wrong-y. She has a wild imagination and has written songs about being robots. She’s one of those artists whose discography is a tapestry of varied and wonderful worlds that I can never really appreciate unless I’m in the process of listening to it, always a process of both rediscovery and familiarity. (She often writes in the first-person as non-Regina people, from fiction, the bible, or anonymous people; more than half of her songs are probably from the perspective of a different person). There are also lots of moments in her various songs that strike me in the right way, that capture some complex emotion I had never put into words, which gives her songs a sense of salience and intelligence. Some especially enjoyable songs: Us very uplifting, makes you think; Call Them Brothers the man singing is her husband, I like the eeriness; The Party, uplifting, pretty; All the Rowboats, she makes cute noises, quite fast. Back of a Truck, from her unusually jazzy first album.
Disclosure: I play and especially like piano so appear to be skewed towards liking such artists.
I quite like Regina Spektor! I was first introduced to her as being “like the Dresden Dolls without the vitriol”—not a totally accurate description but not far off. The Dresden Dolls are good fun, and some of Amanda Palmer’s solo work has some great moments.
You’re not alone. I also find her music strangely compelling.