I’d guess that the dominance/submission in those cases is more playful than genuine, and has an easy exit, whereas many human relationships (e.g. ruler/subject) contain genuine & long-term & fearful submission without a safe-word/safe-sentence. Still, striking it from the list.
In Act I outputs Claudes do a lot of this, e.g. this screenshot of Sonnet 3.6
I’d guess that the dominance/submission in those cases is more playful than genuine, and has an easy exit, whereas many human relationships (e.g. ruler/subject) contain genuine & long-term & fearful submission without a safe-word/safe-sentence. Still, striking it from the list.