Looking for HARSH criticism on some musings about the application of leverage points from systems analysis to the idea generation process:
Leverage Points
Systems analysis is defined by the Merriam-Webster dictionary as “the process of studying a procedure or business in order to identify its goals and purposes and create systems and procedures that will achieve them in an efficient way”.
The concept of ‘leverage points’ is synonymous with the idea of single points of power—whether that be a single hero in an action movie or a miracle cure for disease. Change these points and you change the system in an enormous way.
This type of systems thinking provides a highly applicable toolkit which allows us to view and disassemble the idea generation process, identifying what areas within this ‘system’ are able to be shifted in small ways to produce large results.
By mapping this type of conceptual framework to the creative process, we can systematically break down where opportunities lie in creating more ideas of our own. This is about recognising what it is that Type B thinkers more successfully than those classified as Type A [explained in a redacted introduction for brevity, type A = people who are primarily idea consumers, type B = people who begin to ‘produce’ ideas].
The leverage points below are listed in order from least effective to most effective. Note that the concept of these points is not a concrete law, this is only a mental model which allows us to map reality as accurately as possible to a system of cognitive behaviour.
Note: This list of leverage points is not extensive due to inapplicability to this particular post, all references have been noted at the bottom of this page.
10. Constants, Parameters and Numbers
a. Number of unique situations To create more ideas, you must first be exposed to more situations which will provide the basis for creation. Increase the number of books, articles, movies, music, people and experiences you interact with on a daily basis. This expands the opportunity for an idea to blossom and is an excellent starting point for developing more ideas.
b. Number and variety of people you converse with
Each individual you come in contact with is an opportunity to glean unique and valuable information from. Having discussions with people from different cultures, ideologies, experiences, etc. allows you to view the same information in a different way, this is vitally important to developing ideas and solutions.
9. Buffer Sizes, Relative to their Flows
a. Depth of research: With a deeper level of understanding in any given field, you increase the ways in which you are able to approach any given situation. Arming yourself with a vast knowledge of any particular situation or topic gives you a better chance of coming up with the correct solution to a given problem because as your network of understanding grows, you increase the likelihood of generating a meaningful idea...essentially increasing your ’idea rate
Idea Rate = Number of Ideas / Number of Opportunities
8. Structure of Material Stocks and Intersecting Nodes
7. Length of Delays, Relative to Rate of System Changes
a. Reduce Cognitive Delay: Another way to become a better producer of ideas is to reduce the cognitive delay between the situation which produces an interesting thought and the time it takes to develop this thought into an idea. This will tie in with other leverage points but making it as easy as possible to spend time thinking about an idea increases the chance of multiple iterations of development occurring on any given thought.
With the same number of ideas per opportunity per unit of time, reducing the delay between cognitive processing means you are able to develop more thoughts in a given time period...thus increasing the likelihood of a successful or good idea.
Let’s illustrate how reducing your processing time results in the production of more ideas:
Constants:
Number of Opportunities = 800Ideas/Opportunity = Idea Rate = 20%Good Ideas/Idea = Success Rate = 10%
Given that these rates stay the same, how many good ideas can be produced for three different rates of development over 100 hours of focused work?
Development Time
Good Ideas/Hour
Number of Good Ideas
2
0.05
5
1
0.1
10
0.5
0.2
20
6. Strength of Negative Feedback Loops
a. Test Multiple Methods of Idea Implementation: By testing a number of different channels whereby you are able to validate an idea, you develop the ability to eliminate the channels/methods which present the most negative feedback. Eliminating these opportunities means less friction surrounding the idea generation process.
b. Codify more information from negative feedback:
By engaging in more conversation about your ideas, you develop a better grasp of why you receive negative feedback about particular topics. By codifying this information, you are better able to understand why people are negative about a certain idea or topic. This makes you more or less inclined to develop that type of idea further in the future.
5. Gain Around Positive Feedback Loops
a. Find a receptive audience: This is about finding an intellectual community or receptive audience to have conversations with about your ideas. This also generates new ideas just through the positive feedback mechanism, especially if you are able to work through explanations successfully in these conversations.
b. Start by developing ideas from activities you enjoy: Pay particular attention to the types of activities you enjoy. In having fun you are more likely to think about a particular activity and thus more likely to generate ideas about it.
4. Structure of Information Flows
Record every idea you have: Carry around a notebook and write down whatever thought and ideas you have with people. Thinking of ideas is a skill. You are adding feedback here that previously was not part of the system.
3. The Rules of The System
a. Increase your conceptual degrees of freedom: Don’t confine yourself to thinking about a topic in a thought pattern that already exists. Be prepared to implement mental models including first-principles thinking and reasoning by analogy in order to break through potential idea boundaries.
2. Goals of The System
a. Develop an inquisitive mindset: Work on developing a framework from which you’re able to view future experiences and information you encounter. How can you learn from all of your experiences? By standardising the way in which you organise and execute on information, you are able to refine your perspective/lens.
What information surprised you? Why did it surprise you? Would this information surprise others? Are there blind spots in the current mode of thinking? Have you encountered similar types of problems in other fields of knowledge? How did those fields produce a solution? Your goal from interactions is not necessarily to come up with an idea but it is about viewing information in a way that facilitates innovation.
1. The System’s Underlying Mindset or Paradigm
a. Practice working on more ideas: Become more used to the idea of ‘taking a stance’ on certain problems—even without sharing or discussing any results (ideally you would but still, this is an independently important factor) is a mindset shift that reduces modest epistemology. This is the notion that you hold back upon your own beliefs, which may contradict those of the ‘experts’, because you don’t feel that you’re adequately qualified to come up with an argument, idea or even solution to certain problems.
This ties in to the idea that it is possible for you to produce a synthesis of contrarian idea. By believing that your ideas (or even potential ideas in the future) have merit, you incentivise creativity for yourself—you have a chance to come up with an important discovery. By determining why you want to work on an idea, you will increase your ‘execution rate’.
Formatting question: it looks like maybe this was meant to be formatted in markdown or something but then the whitespace got squashed and the formatting looks a bit busted. Does that seem accurate? I feel like if title sections were broken into separate lines this’d be easier to read.
I updated the formatting to be closer to what seemed to be the intent. One central issue is that apparently the LW markdown requires you to have a space after the ### “heading” syntax.
Appreciate the formatting assistance thankyou—this looks much closer to the markdown result I was hoping for. Additionally, I will keep that spacing requirement in mind for future posts.
Relatedly, I’d suggest ‘Things you create or skills you have.’
you develop the ability to eliminate the channels/methods which present the most negative feedback.
The least useful feedback?
Start by developing ideas from activities you enjoy:
Try more things, see if you enjoy them. (Also, sometimes you can learn from things you don’t like—a story with a specific form of bad storytelling might teach you something about the right way to tell stories.)
Structure of Information Flows Record every idea you have:
.
This section didn’t have bold parts.
Idea Rate = Number of Ideas / Number of Opportunities
Why wouldn’t “Idea Rate = Ideas per (Unit of Time)” ? It would seem one could increase the amount/rate of ideas they have, not only by increases their ideas per opportunity, but also by increasing their number of opportunities.
Constants: Number of Opportunities = 800 Ideas/Opportunity = Idea Rate = 20% Good Ideas/Idea = Success Rate = 10%
I didn’t understand this until I copied it here, and the formatting clicked, and then it all made sense.
Arming yourself with a vast knowledge of any particular situation or topic gives you a better chance of coming up with the correct solution to a given problem because as your network of understanding grows,
(Emphasis added.)
Problems are important, as is coming up with them/having good sources for them.
Each individual you come in contact with is an opportunity to glean unique and valuable information from.
It might be useful to come up with frames and give them names and put them in a list, so you can do this:
[New Idea]: (check)
Frames [Frame 1] [Frame 2] etc.
Reduce Cognitive Delay[**]
Also see how you can implement an idea, particularly—quickly. (This one can be hard.)
More generally, release “Delays” period. Having a model of the process can help with this. (It’s possible the low hanging fruit has been picked in communication technology on the raw speed front*, but it’s useful to note how this can speed up things we do.)
*To such an extent some may find it detrimental. One could compare the quality of comments on twitter with the quality of letters, or the quality of of moves in a live chess game versus one by post. (It’s also easier to draw on paper.)
Looking for HARSH criticism
That’s hard to do with such a good idea.
[**]####5. Gain Around Positive Feedback Loops a. Find a receptive audience:
The section above is related to that fact that “idea quality” can be subjective—coming up with ideas that sound great is all well and good, but reality is the final arbiter. (Though this kind of depends on what you’re working on.) Finding ways to implement things or ideas/testing things out might help. I’d also ask where these “first principles” come from.
If you enjoy something, you might not learn as much. Consider the popular Lord of the Rings. Did you learn something by reading/watching it? The first time? The n-th time?
By engaging in more conversation about your ideas, you develop a better grasp of why you receive negative feedback about particular topics.
Eh. Can you really change the world with an idea that doesn’t upset people?
This ties in to the idea that it is possible for you to produce a synthesis of contrarian idea.
Very much appreciate your input and the kind words in regards to the merits of the post. I don’t think I understand what it means to ‘frame’ something as you specified in this comment:
It might be useful to come up with frames and give them names and put them in a list, so you can do this:
Frames [Frame 1] [Frame 2] etc.
Any chance you could clarify/provide an example of what this kind of thing would look like? Thanks again.
(This is meant to be purely illustrative, not taken seriously. Also, given how hard it was to come up with frames, it might be better to replace using lenses this way with ‘questions that are always good to ask’.)
Idea [1]____1___________2__________3
Lenses:__Economic__Narrative [3] Empiricism [4]
[1] Movies these days seem to be lacking realism[2]/X.
1)
Is there not an audience for realism/X? (Or is this a market failure?)
Are most movies produced by studios that aren’t good at writing realism/X?
Is it more expensive to produce movies which are more realistic/X?
Harder to make money off of?
Is this the result of government regulation? Self-regulation?
Do the people involved in making movies (scriptwriters, directors, etc.) prefer less realistic**/X movies? Find it easier to make such movies?
[2] What is the alternative to realism that is more common?
(Realistically, the best way to make progress on a question like this is probably by unpacking ‘What you mean by “realism”/X.’)
[3] A struggle between the forces of good and evil.
2)
Who controls Hollywood, good or evil? Both? Neither?
What reasons might they have for doing this?
Good:
It’s easier to have the good guys win in movies if you’re less realistic. It also delivers a particular message ’you will win if you’re good, no matter how ridiculous that sounds.
Bad:
It lulls people into a false sense of security. “All evil needs to prevail is every good person doing nothing.” As it is hard to get people to do nothing, the nothing must be obscured by an illusion of doing something—thus, meaningless visual media, Netflix, etc.
Neither:
a)
Life isn’t perfect. People go to the movies to get away from it all/see the people they agree with win. It doesn’t have to make sense, it just has to be entertaining and end happily.
b)
Movie makers don’t care about realism. Conflicts of Good versus Evil, where the good guys always win, in movies that don’t make sense aren’t about Good versus Evil. They’re just another opportunity for movie makers to set up their side as “Good” and the other side as “Evil”. This is why movies today are getting political (to the detriment of their quality).
[4] Looking at data
3)
Assess the quality of a sample of movies, perhaps across time periods, perhaps highly rated/popular movies.
Has the factor we’re interested in changed over time?
(Is realism going down, up, in a cycle, or randomly—say, based on really popular movies coming out which do or don’t have features (such as realism), and then more movies like that getting made, Y number of Years later.)
Have other factors? Are there any relationships in the data?
(Update: it might be better to just come up with a list of questions that are always good to ask/have been really useful in the past (in other domains) and use that instead. The chart is just 1) a row of such questions 2) a row where you add a checkmark after you’ve answered that question (about the topic you’re trying to understand.)
A lens/frame/framework is a way of looking at things. I meant this to be a suggestion to see how a lens can be applied to other domains by constructing a chart/checklist as follows:
There are n columns and 2 rows, where n is the number of lenses. The first column tells you what is in each row. The top element of the first column contains ‘the name of your idea’. The bottom element of the first column can contain the word “lens”. The bottom row (after the first element) contains the name of each lens (that you have given it). The top row (after the first element) contains either blank spaces or check marks*.
Coming up with a procedure to see if you’ve thought through all the implications of a model may also be useful.
*One could also put a page number in it, and write about that idea through that lens on that page.
Looking for HARSH criticism on some musings about the application of leverage points from systems analysis to the idea generation process:
Leverage Points
Systems analysis is defined by the Merriam-Webster dictionary as “the process of studying a procedure or business in order to identify its goals and purposes and create systems and procedures that will achieve them in an efficient way”.
The concept of ‘leverage points’ is synonymous with the idea of single points of power—whether that be a single hero in an action movie or a miracle cure for disease. Change these points and you change the system in an enormous way.
This type of systems thinking provides a highly applicable toolkit which allows us to view and disassemble the idea generation process, identifying what areas within this ‘system’ are able to be shifted in small ways to produce large results.
By mapping this type of conceptual framework to the creative process, we can systematically break down where opportunities lie in creating more ideas of our own. This is about recognising what it is that Type B thinkers more successfully than those classified as Type A [explained in a redacted introduction for brevity, type A = people who are primarily idea consumers, type B = people who begin to ‘produce’ ideas].
The leverage points below are listed in order from least effective to most effective. Note that the concept of these points is not a concrete law, this is only a mental model which allows us to map reality as accurately as possible to a system of cognitive behaviour.
Note: This list of leverage points is not extensive due to inapplicability to this particular post, all references have been noted at the bottom of this page.
10. Constants, Parameters and Numbers
a. Number of unique situations To create more ideas, you must first be exposed to more situations which will provide the basis for creation. Increase the number of books, articles, movies, music, people and experiences you interact with on a daily basis. This expands the opportunity for an idea to blossom and is an excellent starting point for developing more ideas.
b. Number and variety of people you converse with
Each individual you come in contact with is an opportunity to glean unique and valuable information from. Having discussions with people from different cultures, ideologies, experiences, etc. allows you to view the same information in a different way, this is vitally important to developing ideas and solutions.
9. Buffer Sizes, Relative to their Flows
a. Depth of research: With a deeper level of understanding in any given field, you increase the ways in which you are able to approach any given situation. Arming yourself with a vast knowledge of any particular situation or topic gives you a better chance of coming up with the correct solution to a given problem because as your network of understanding grows, you increase the likelihood of generating a meaningful idea...essentially increasing your ’idea rate
Idea Rate = Number of Ideas / Number of Opportunities8. Structure of Material Stocks and Intersecting Nodes
7. Length of Delays, Relative to Rate of System Changes
a. Reduce Cognitive Delay: Another way to become a better producer of ideas is to reduce the cognitive delay between the situation which produces an interesting thought and the time it takes to develop this thought into an idea. This will tie in with other leverage points but making it as easy as possible to spend time thinking about an idea increases the chance of multiple iterations of development occurring on any given thought.
With the same number of ideas per opportunity per unit of time, reducing the delay between cognitive processing means you are able to develop more thoughts in a given time period...thus increasing the likelihood of a successful or good idea.
Let’s illustrate how reducing your processing time results in the production of more ideas:
Constants:
Number of Opportunities = 800Ideas/Opportunity = Idea Rate = 20%Good Ideas/Idea = Success Rate = 10%Given that these rates stay the same, how many good ideas can be produced for three different rates of development over 100 hours of focused work?
6. Strength of Negative Feedback Loops
a. Test Multiple Methods of Idea Implementation: By testing a number of different channels whereby you are able to validate an idea, you develop the ability to eliminate the channels/methods which present the most negative feedback. Eliminating these opportunities means less friction surrounding the idea generation process.
b. Codify more information from negative feedback:
By engaging in more conversation about your ideas, you develop a better grasp of why you receive negative feedback about particular topics. By codifying this information, you are better able to understand why people are negative about a certain idea or topic. This makes you more or less inclined to develop that type of idea further in the future.
5. Gain Around Positive Feedback Loops
a. Find a receptive audience: This is about finding an intellectual community or receptive audience to have conversations with about your ideas. This also generates new ideas just through the positive feedback mechanism, especially if you are able to work through explanations successfully in these conversations.
b. Start by developing ideas from activities you enjoy: Pay particular attention to the types of activities you enjoy. In having fun you are more likely to think about a particular activity and thus more likely to generate ideas about it.
4. Structure of Information Flows
Record every idea you have: Carry around a notebook and write down whatever thought and ideas you have with people. Thinking of ideas is a skill. You are adding feedback here that previously was not part of the system.
3. The Rules of The System
a. Increase your conceptual degrees of freedom: Don’t confine yourself to thinking about a topic in a thought pattern that already exists. Be prepared to implement mental models including first-principles thinking and reasoning by analogy in order to break through potential idea boundaries.
2. Goals of The System
a. Develop an inquisitive mindset: Work on developing a framework from which you’re able to view future experiences and information you encounter. How can you learn from all of your experiences? By standardising the way in which you organise and execute on information, you are able to refine your perspective/lens.
What information surprised you? Why did it surprise you? Would this information surprise others? Are there blind spots in the current mode of thinking? Have you encountered similar types of problems in other fields of knowledge? How did those fields produce a solution? Your goal from interactions is not necessarily to come up with an idea but it is about viewing information in a way that facilitates innovation.
1. The System’s Underlying Mindset or Paradigm
a. Practice working on more ideas: Become more used to the idea of ‘taking a stance’ on certain problems—even without sharing or discussing any results (ideally you would but still, this is an independently important factor) is a mindset shift that reduces modest epistemology. This is the notion that you hold back upon your own beliefs, which may contradict those of the ‘experts’, because you don’t feel that you’re adequately qualified to come up with an argument, idea or even solution to certain problems.
This ties in to the idea that it is possible for you to produce a synthesis of contrarian idea. By believing that your ideas (or even potential ideas in the future) have merit, you incentivise creativity for yourself—you have a chance to come up with an important discovery. By determining why you want to work on an idea, you will increase your ‘execution rate’.
Formatting question: it looks like maybe this was meant to be formatted in markdown or something but then the whitespace got squashed and the formatting looks a bit busted. Does that seem accurate? I feel like if title sections were broken into separate lines this’d be easier to read.
That’s correct, seems like the headings didn’t work so the formatting looks off here on LW.
My scheduled post with working markdown formatting is here: https://willdarwin.com/p/878c8019-efc3-411b-9139-a53c61102ae4/
This will turn into willdarwin.com/idea-leverage-points/ on September 1st (doesn’t use this URL yet as it is not publicly available)
I updated the formatting to be closer to what seemed to be the intent. One central issue is that apparently the LW markdown requires you to have a space after the ### “heading” syntax.
Appreciate the formatting assistance thankyou—this looks much closer to the markdown result I was hoping for. Additionally, I will keep that spacing requirement in mind for future posts.
Great post by the way, it was really useful to see all these, together as one system.
Relatedly, I’d suggest ‘Things you create or skills you have.’
The least useful feedback?
Try more things, see if you enjoy them. (Also, sometimes you can learn from things you don’t like—a story with a specific form of bad storytelling might teach you something about the right way to tell stories.)
.
This section didn’t have bold parts.
Why wouldn’t “Idea Rate = Ideas per (Unit of Time)” ? It would seem one could increase the amount/rate of ideas they have, not only by increases their ideas per opportunity, but also by increasing their number of opportunities.
I didn’t understand this until I copied it here, and the formatting clicked, and then it all made sense.
(Emphasis added.)
Problems are important, as is coming up with them/having good sources for them.
It might be useful to come up with frames and give them names and put them in a list, so you can do this:
[New Idea]: (check)
Frames [Frame 1] [Frame 2] etc.
Also see how you can implement an idea, particularly—quickly. (This one can be hard.)
More generally, release “Delays” period. Having a model of the process can help with this. (It’s possible the low hanging fruit has been picked in communication technology on the raw speed front*, but it’s useful to note how this can speed up things we do.)
*To such an extent some may find it detrimental. One could compare the quality of comments on twitter with the quality of letters, or the quality of of moves in a live chess game versus one by post. (It’s also easier to draw on paper.)
That’s hard to do with such a good idea.
The section above is related to that fact that “idea quality” can be subjective—coming up with ideas that sound great is all well and good, but reality is the final arbiter. (Though this kind of depends on what you’re working on.) Finding ways to implement things or ideas/testing things out might help. I’d also ask where these “first principles” come from.
If you enjoy something, you might not learn as much. Consider the popular Lord of the Rings. Did you learn something by reading/watching it? The first time? The n-th time?
Eh. Can you really change the world with an idea that doesn’t upset people?
This could use some elaboration.
Very much appreciate your input and the kind words in regards to the merits of the post. I don’t think I understand what it means to ‘frame’ something as you specified in this comment:
It might be useful to come up with frames and give them names and put them in a list, so you can do this:
Frames [Frame 1] [Frame 2] etc.
Any chance you could clarify/provide an example of what this kind of thing would look like? Thanks again.
(This is meant to be purely illustrative, not taken seriously. Also, given how hard it was to come up with frames, it might be better to replace using lenses this way with ‘questions that are always good to ask’.)
Idea [1]____1___________2__________3
Lenses:__Economic__Narrative [3] Empiricism [4]
[1] Movies these days seem to be lacking realism[2]/X.
1)
Is there not an audience for realism/X? (Or is this a market failure?)
Are most movies produced by studios that aren’t good at writing realism/X?
Is it more expensive to produce movies which are more realistic/X?
Harder to make money off of?
Is this the result of government regulation? Self-regulation?
Do the people involved in making movies (scriptwriters, directors, etc.) prefer less realistic**/X movies? Find it easier to make such movies?
[2] What is the alternative to realism that is more common?
(Realistically, the best way to make progress on a question like this is probably by unpacking ‘What you mean by “realism”/X.’)
[3] A struggle between the forces of good and evil.
2)
Who controls Hollywood, good or evil? Both? Neither?
What reasons might they have for doing this?
Good:
It’s easier to have the good guys win in movies if you’re less realistic. It also delivers a particular message ’you will win if you’re good, no matter how ridiculous that sounds.
Bad:
It lulls people into a false sense of security. “All evil needs to prevail is every good person doing nothing.” As it is hard to get people to do nothing, the nothing must be obscured by an illusion of doing something—thus, meaningless visual media, Netflix, etc.
Neither:
a)
Life isn’t perfect. People go to the movies to get away from it all/see the people they agree with win. It doesn’t have to make sense, it just has to be entertaining and end happily.
b)
Movie makers don’t care about realism. Conflicts of Good versus Evil, where the good guys always win, in movies that don’t make sense aren’t about Good versus Evil. They’re just another opportunity for movie makers to set up their side as “Good” and the other side as “Evil”. This is why movies today are getting political (to the detriment of their quality).
[4] Looking at data
3)
Assess the quality of a sample of movies, perhaps across time periods, perhaps highly rated/popular movies.
Has the factor we’re interested in changed over time?
(Is realism going down, up, in a cycle, or randomly—say, based on really popular movies coming out which do or don’t have features (such as realism), and then more movies like that getting made, Y number of Years later.)
Have other factors? Are there any relationships in the data?
(Update: it might be better to just come up with a list of questions that are always good to ask/have been really useful in the past (in other domains) and use that instead. The chart is just 1) a row of such questions 2) a row where you add a checkmark after you’ve answered that question (about the topic you’re trying to understand.)
A lens/frame/framework is a way of looking at things. I meant this to be a suggestion to see how a lens can be applied to other domains by constructing a chart/checklist as follows:
There are n columns and 2 rows, where n is the number of lenses. The first column tells you what is in each row. The top element of the first column contains ‘the name of your idea’. The bottom element of the first column can contain the word “lens”. The bottom row (after the first element) contains the name of each lens (that you have given it). The top row (after the first element) contains either blank spaces or check marks*.
Coming up with a procedure to see if you’ve thought through all the implications of a model may also be useful.
*One could also put a page number in it, and write about that idea through that lens on that page.